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@ -27,7 +27,7 @@ original version by: Nikos Drakos, CBLU, University of Leeds
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@ -60,503 +60,503 @@ original version by: Nikos Drakos, CBLU, University of Leeds
-->
<!--Table of Child-Links-->
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<LI><UL>
<LI><A NAME="tex2html211"
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HREF="node4.html">Contents</A>
<LI><A NAME="tex2html215"
<LI><A ID="tex2html215"
HREF="node5.html">Foreword</A>
<LI><A NAME="tex2html216"
<LI><A ID="tex2html216"
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<LI><A NAME="tex2html217"
<LI><A ID="tex2html217"
HREF="node7.html">Sinusoids, amplitude and frequency</A>
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<LI><A NAME="tex2html218"
<LI><A ID="tex2html218"
HREF="node8.html">Measures of Amplitude</A>
<LI><A NAME="tex2html219"
<LI><A ID="tex2html219"
HREF="node9.html">Units of Amplitude</A>
<LI><A NAME="tex2html220"
<LI><A ID="tex2html220"
HREF="node10.html">Controlling Amplitude</A>
<LI><A NAME="tex2html221"
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HREF="node11.html">Frequency</A>
<LI><A NAME="tex2html222"
<LI><A ID="tex2html222"
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<LI><A NAME="tex2html223"
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<LI><A NAME="tex2html224"
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<LI><A NAME="tex2html279"
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HREF="node86.html">Sinusoidal waveshaping: evenness and oddness</A>
<LI><A NAME="tex2html297"
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<LI><A NAME="tex2html310"
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<LI><A NAME="tex2html311"
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<LI><A NAME="tex2html312"
<LI><A ID="tex2html312"
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<LI><A NAME="tex2html313"
<LI><A ID="tex2html313"
HREF="node103.html">Exercises</A>
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<BR>
<LI><A NAME="tex2html314"
<LI><A ID="tex2html314"
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<LI><A NAME="tex2html315"
<LI><A ID="tex2html315"
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<UL>
<LI><A NAME="tex2html316"
<LI><A ID="tex2html316"
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<LI><A ID="tex2html318"
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<LI><A ID="tex2html319"
HREF="node109.html">Recirculating delay networks</A>
<LI><A NAME="tex2html320"
<LI><A ID="tex2html320"
HREF="node110.html">Power conservation and complex delay networks</A>
<LI><A NAME="tex2html321"
<LI><A ID="tex2html321"
HREF="node111.html">Artificial reverberation</A>
<UL>
<LI><A NAME="tex2html322"
<LI><A ID="tex2html322"
HREF="node112.html">Controlling reverberators</A>
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<LI><A ID="tex2html323"
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<LI><A ID="tex2html326"
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<UL>
<LI><A NAME="tex2html327"
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<LI><A NAME="tex2html328"
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HREF="node119.html">Variable delay line</A>
<LI><A NAME="tex2html330"
<LI><A ID="tex2html330"
HREF="node120.html">Order of execution and lower limits on delay times</A>
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<LI><A ID="tex2html331"
HREF="node121.html">Order of execution in non-recirculating delay lines</A>
<LI><A NAME="tex2html332"
<LI><A ID="tex2html332"
HREF="node122.html">Non-recirculating comb filter as octave doubler</A>
<LI><A NAME="tex2html333"
<LI><A ID="tex2html333"
HREF="node123.html">Time-varying complex comb filter: shakers</A>
<LI><A NAME="tex2html334"
<LI><A ID="tex2html334"
HREF="node124.html">Reverberator</A>
<LI><A NAME="tex2html335"
<LI><A ID="tex2html335"
HREF="node125.html">Pitch shifter</A>
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<LI><A ID="tex2html336"
HREF="node126.html">Exercises</A>
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<LI><A ID="tex2html337"
HREF="node127.html">Filters</A>
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<LI><A ID="tex2html338"
HREF="node128.html">Taxonomy of filters</A>
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<LI><A ID="tex2html339"
HREF="node129.html">Low-pass and high-pass filters</A>
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HREF="node131.html">Equalizing filters</A>
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<LI><A ID="tex2html342"
HREF="node132.html">Elementary filters</A>
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<LI><A NAME="tex2html343"
<LI><A ID="tex2html343"
HREF="node133.html">Elementary non-recirculating filter</A>
<LI><A NAME="tex2html344"
<LI><A ID="tex2html344"
HREF="node134.html">Non-recirculating filter, second form</A>
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HREF="node135.html">Elementary recirculating filter</A>
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HREF="node137.html">Real outputs from complex filters</A>
<LI><A NAME="tex2html348"
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HREF="node138.html">Two recirculating filters for the price of one</A>
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<LI><A NAME="tex2html349"
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HREF="node139.html">Designing filters</A>
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<LI><A NAME="tex2html350"
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HREF="node140.html">One-pole low-pass filter</A>
<LI><A NAME="tex2html351"
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HREF="node141.html">One-pole, one-zero high-pass filter</A>
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HREF="node142.html">Shelving filter</A>
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<LI><A NAME="tex2html356"
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HREF="node199.html">Strategies for band-limiting sawtooth waves</A>
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<H1><A NAME="SECTION00530000000000000000">
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Controlling Amplitude</A>
</H1>
@ -82,7 +82,7 @@ nominal amplitude <IMG
<P>
<DIV ALIGN="CENTER"><A NAME="fig01.04"></A><A NAME="1090"></A>
<DIV ALIGN="CENTER"><A ID="fig01.04"></A><A ID="1090"></A>
<TABLE>
<CAPTION ALIGN="BOTTOM"><STRONG>Figure 1.4:</STRONG>
The relationship between "MIDI" pitch and frequency in cycles per
@ -166,36 +166,36 @@ considered later in Chapter <A HREF="node75.html#chapter-modulation">5</A>.
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<H2><A NAME="SECTION001053000000000000000">
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Two-cosine carrier signal</A>
</H2>
@ -86,7 +86,7 @@ and <IMG
<P>
<DIV ALIGN="CENTER"><A NAME="fig06.16"></A><A NAME="6994"></A>
<DIV ALIGN="CENTER"><A ID="fig06.16"></A><A ID="6994"></A>
<TABLE>
<CAPTION ALIGN="BOTTOM"><STRONG>Figure 6.17:</STRONG>
Cross-fading between sinusoids to make movable
@ -169,36 +169,36 @@ never avoid getting phase cancellations where they overlap.
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The PAF generator</A>
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<P>
<DIV ALIGN="CENTER"><A NAME="fig06.17"></A><A NAME="7005"></A>
<DIV ALIGN="CENTER"><A ID="fig06.17"></A><A ID="7005"></A>
<TABLE>
<CAPTION ALIGN="BOTTOM"><STRONG>Figure 6.18:</STRONG>
The phase-aligned formant (PAF) synthesis algorithm.</CAPTION>
@ -126,7 +126,7 @@ control object is needed:
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<DIV ALIGN="CENTER"><A NAME="fig06.18"></A><A NAME="7047"></A>
<DIV ALIGN="CENTER"><A ID="fig06.18"></A><A ID="7047"></A>
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<CAPTION ALIGN="BOTTOM"><STRONG>Figure 6.19:</STRONG>
Filling in the wavetable for Figure <A HREF="#fig06.17">6.18</A>.</CAPTION>
@ -145,7 +145,7 @@ Filling in the wavetable for Figure <A HREF="#fig06.17">6.18</A>.</CAPTION>
WIDTH="57" HEIGHT="41" ALIGN="MIDDLE" BORDER="0"
SRC="img623.png"
ALT="\fbox{ $\mathrm{until}$\ }"> :
<A NAME="7054"></A>When the left, "start" inlet is banged, output sequential bangs (with no
<A ID="7054"></A>When the left, "start" inlet is banged, output sequential bangs (with no
elapsed time between them) iteratively, until the right, "stop" inlet is
banged. The stopping "bang" message must originate somehow from the
<TT>until</TT> object's outlet; otherwise, the outlet will send "bang" messages
@ -231,36 +231,36 @@ the fundamental dropping, not rising, in amplitude as the string decays.
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@ -29,42 +29,42 @@ original version by: Nikos Drakos, CBLU, University of Leeds
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<H2><A NAME="SECTION001055000000000000000">
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Stretched wavetables</A>
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@ -29,42 +29,42 @@ original version by: Nikos Drakos, CBLU, University of Leeds
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