101 lines
2.9 KiB
HTML
101 lines
2.9 KiB
HTML
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original version by: Nikos Drakos, CBLU, University of Leeds
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* revised and updated by: Marcus Hennecke, Ross Moore, Herb Swan
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* with significant contributions from:
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Jens Lippmann, Marek Rouchal, Martin Wilck and others -->
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<B> Next:</B> <A ID="tex2html2491"
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HREF="node129.html">Low-pass and high-pass filters</A>
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<B> Up:</B> <A ID="tex2html2485"
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HREF="node127.html">Filters</A>
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<B> Previous:</B> <A ID="tex2html2479"
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HREF="node127.html">Filters</A>
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<H1><A ID="SECTION001210000000000000000">
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Taxonomy of filters</A>
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</H1>
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<P>
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Over the history of electronic music the technology for building filters has
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changed constantly, but certain kinds of filters reappear often. In this
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section we will give some nomenclature for describing filters of several
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generic, recurring types. Later we'll develop some basic strategies for making
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filters with desired characteristics, and finally we'll discuss some common
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applications of filters in electronic music.
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<P>
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<A ID="CHILD_LINKS"><STRONG>Subsections</STRONG></A>
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<UL>
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<LI><A ID="tex2html2492"
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HREF="node129.html">Low-pass and high-pass filters</A>
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<LI><A ID="tex2html2493"
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HREF="node130.html">Band-pass and stop-band filters</A>
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<LI><A ID="tex2html2494"
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HREF="node131.html">Equalizing filters</A>
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</UL>
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<!--End of Table of Child-Links-->
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<BR><HR>
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<ADDRESS>
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Miller Puckette
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2006-12-30
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</ADDRESS>
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