100 lines
2.8 KiB
HTML
100 lines
2.8 KiB
HTML
<!DOCTYPE html>
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original version by: Nikos Drakos, CBLU, University of Leeds
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* revised and updated by: Marcus Hennecke, Ross Moore, Herb Swan
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* with significant contributions from:
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Jens Lippmann, Marek Rouchal, Martin Wilck and others -->
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<TITLE>Applications</TITLE>
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HREF="node152.html">Subtractive synthesis</A>
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HREF="node127.html">Filters</A>
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HREF="node150.html">All-pass filters</A>
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<H1><A ID="SECTION001240000000000000000">
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Applications</A>
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</H1>
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<P>
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Filters are used in a broad range of applications both in audio engineering and
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in electronic music. The former include, for instance, equalizers, speaker
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crossovers, sample rate converters, and DC removal (which we have already used
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in earlier chapters). Here, though, we'll be concerned with the specifically
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musical applications.
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<P>
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<BR><HR>
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<!--Table of Child-Links-->
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<A ID="CHILD_LINKS"><STRONG>Subsections</STRONG></A>
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<UL>
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<LI><A ID="tex2html2828"
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HREF="node152.html">Subtractive synthesis</A>
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<LI><A ID="tex2html2829"
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HREF="node153.html">Envelope following</A>
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<LI><A ID="tex2html2830"
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HREF="node154.html">Single Sideband Modulation</A>
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</UL>
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<!--End of Table of Child-Links-->
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<BR><HR>
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<ADDRESS>
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Miller Puckette
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2006-12-30
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</ADDRESS>
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