162 lines
5.4 KiB
Plaintext
162 lines
5.4 KiB
Plaintext
\begin{thebibliography}{RMW02}
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Mark Ballora.
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Barry Blesser.
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\newblock MIT Press, Cambridge, Massachusetts, 2000.
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Hal Chamberlin.
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\newblock Hayden, Rochelle Park, N.J., 1980.
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John Chowning.
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\newblock The synthesis of complex audio spectra by means of frequency
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modulation.
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John Chowning.
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\newblock Frequency modulation synthesis of the singing voice.
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\newblock In Max~V. Mathews and John~R. Pierce, editors, {\em Current
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Directions in Computer Music Research}, pages 57--64. MIT Press, Cambridge,
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Charles Dodge and Thomas~A. Jerse.
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\newblock Schirmer, New York, 1985.
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Mark Dolson and Jean Laroche.
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\newblock About this phasiness business.
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\newblock In {\em Proceedings of the International Computer Music Conference},
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pages 55--58, Ann Arbor, 1997. International Computer Music Association.
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John~M. Grey and James~A. Moorer.
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\newblock Perceptual evaluations of synthesized musical instrument tones.
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\newblock Digital waveform generation by fractional addressing.
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Kevin Karplus and Alex Strong.
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\newblock Digital synthesis of plucked-string and drum timbres.
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\newblock {\em Computer Music Journal}, 7(2):43--55, 1983.
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Marc Lebrun.
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\newblock A derivation of the spectrum of {FM} with a complex modulating wave.
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\newblock {\em Computer Music Journal}, 1(4):51--52, 1977.
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\bibitem[Leb79]{r-lebrun79}
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Marc Lebrun.
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\newblock Digital waveshaping synthesis.
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\newblock {\em Journal of the Audio Engineering Society}, 27(4):250--266, 1979.
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\bibitem[Mat69]{r-mathews69}
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Max~V. Mathews.
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\bibitem[Moo90]{r-moore90}
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F.~Richard Moore.
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\newblock Prentice Hall, Englewood Cliffs, second edition, 1990.
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T.~W. Parks and C.S. Burrus.
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\newblock {\em Digital filter design}.
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\newblock Wiley, New York, 1987.
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Miller~S. Puckette.
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\newblock Formant-based audio synthesis using nonlinear distortion.
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\newblock {\em Journal of the Audio Engineering Society}, 43(1):224--227, 1995.
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Miller~S. Puckette.
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\newblock Phase-locked vocoder.
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\newblock In {\em IEEE ASSP Workshop on Applications of Signal Processing to
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Audio and Acoustics}, 1995.
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Miller~S. Puckette.
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\newblock Synthesizing sounds with specified, time-varying spectra.
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\newblock In {\em Proceedings of the International Computer Music Conference},
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Miller~S. Puckette.
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\newblock Phase bashing for sample-based formant synthesis.
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\newblock In {\em Proceedings of the International Computer Music Conference},
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\bibitem[Reg93]{r-mitra93}
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Phillip~A. Regalia.
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\newblock Special filter design.
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\newblock In Sanjit~K. Mitra and James~F. Kaiser, editors, {\em Handbook for
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digital signal processing}, pages 907--978. Wiley, New York, 1993.
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\bibitem[RM69]{r-risset69}
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Jean-Claude Risset and Max~V. Mathews.
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\newblock Analysis of musical instrument tones.
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\newblock {\em Physics Today}, 22:23--40, 1969.
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\bibitem[RMW02]{r-rossing02}
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Thomas~D. Rossing, F.~Richard Moore, and Paul~A. Wheeler.
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\newblock Addison Wesley, San Francisco, third edition, 2002.
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Curtis Roads.
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\newblock MIT Press, Cambridge, Massachusetts, 2001.
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\bibitem[Sch77]{r-schottstaedt87}
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Bill Schottstaedt.
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\newblock Simulation of natural instrument tones using frequency modulation
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with a complex modulating wave.
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\newblock {\em Computer Music Journal}, 1(4):46--50, 1977.
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\bibitem[SI03]{r-smith03}
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Julius~Orion Smith~III.
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and Audio Applications}.
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\newblock W3K Publishing, Menlo Park, California, 2003.
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\bibitem[Ste96]{r-steiglitz96}
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Kenneth Steiglitz.
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\newblock Addison-Wesley, Menlo Park, California, 1996.
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\bibitem[Str85]{r-strawn85}
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John Strawn, editor.
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\newblock William Kaufmann, Los Altos, California, 1985.
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\bibitem[Str95]{r-strange72}
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Allen Strange.
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\newblock {\em Electronic music: systems, techniques, and controls}.
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\newblock W. C. Brown, Dubuque, Iowa, 1995.
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\end{thebibliography}
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