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<H1><A ID="SECTION00800000000000000000">
Automation and voice management</A>
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<P>
It is often desirable to control musical objects or events as aggregates rather
than individually. Aggregates might take the form of a series of events spaced
in time, in which the details of the events follow from the larger arc (for
instance, notes in a melody). Or the individuals might sound simultaneously,
as with voices in a chord, or partials in a complex tone. Often some or all
properties of the individual elements are best inferred from those of the
whole.
<P>
A rich collection of tools and ideas has arisen in the electronic music
repertory for describing individual behaviors from aggregate ones. In this
chapter we cover two general classes of such tools: envelope generators and
voice banks. The envelope generator automates behavior over time, and the
voice bank over aggregates of simultaneous processes (such as signal
generators).
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<LI><A ID="tex2html1403"
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<LI><A ID="tex2html1404"
HREF="node60.html">Linear and Curved Amplitude Shapes</A>
<LI><A ID="tex2html1405"
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<LI><A ID="tex2html1406"
HREF="node62.html">Muting</A>
<LI><A ID="tex2html1407"
HREF="node63.html">Switch-and-ramp</A>
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<LI><A ID="tex2html1408"
HREF="node64.html">Polyphony</A>
<LI><A ID="tex2html1409"
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<LI><A ID="tex2html1410"
HREF="node66.html">Voice tags</A>
<LI><A ID="tex2html1411"
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<LI><A ID="tex2html1412"
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<LI><A ID="tex2html1413"
HREF="node69.html">ADSR envelope generator</A>
<LI><A ID="tex2html1414"
HREF="node70.html">Transfer functions for amplitude control</A>
<LI><A ID="tex2html1415"
HREF="node71.html">Additive synthesis: Risset's bell</A>
<LI><A ID="tex2html1416"
HREF="node72.html">Additive synthesis: spectral envelope control</A>
<LI><A ID="tex2html1417"
HREF="node73.html">Polyphonic synthesis: sampler</A>
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<ADDRESS>
Miller Puckette
2006-12-30
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