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<H2><A ID="SECTION00594000000000000000">
Major triad</A>
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<P>
Example A05.output.subpatch.pd, whose active ingredients are shown in Figure
<A HREF="node20.html#fig01.12">1.12</A> (part c), presents three sinusoids with frequencies in the
ratio 4:5:6, so that the lower two are separated by a major third, the
upper two by a minor third, and the top and bottom by a fifth. The lowest
frequency is 440, equal to A above middle C, or MIDI 69. The others are
approximately four and seven half-steps higher, respectively. The three
have equal amplitudes.
<P>
The amplitude control in this example is taken care of by a new object called
<TT>output~</TT>. This isn't a built-in object of Pd, but is itself a Pd patch
which lives in a file, "output.pd". (You can see the internals of
<TT>output~</TT> by opening the properties menu for the box and selecting
"open".) You get two controls, one for amplitude in dB (100 meaning "unit
gain"), and a "mute" button. Pd's audio processing is turned on automatically
when you set the output level--this might not be the best behavior in
general, but it's appropriate for these example patches. The mechanism for
embedding one Pd patch as an object box inside another is discussed in Section
<A HREF="node67.html#sect4.encapsulation">4.7</A>.
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<ADDRESS>
Miller Puckette
2006-12-30
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