You can not select more than 25 topics
Topics must start with a letter or number, can include dashes ('-') and can be up to 35 characters long.
264 lines
7.8 KiB
264 lines
7.8 KiB
<!DOCTYPE html>
|
|
|
|
<!--Converted with LaTeX2HTML 2002-2-1 (1.71)
|
|
original version by: Nikos Drakos, CBLU, University of Leeds
|
|
* revised and updated by: Marcus Hennecke, Ross Moore, Herb Swan
|
|
* with significant contributions from:
|
|
Jens Lippmann, Marek Rouchal, Martin Wilck and others -->
|
|
<HTML>
|
|
<HEAD>
|
|
|
|
<meta name="viewport" content="width=device-width, initial-scale=1.0">
|
|
|
|
|
|
<TITLE>Bibliography</TITLE>
|
|
<META NAME="description" CONTENT="Bibliography">
|
|
<META NAME="keywords" CONTENT="book">
|
|
<META NAME="resource-type" CONTENT="document">
|
|
<META NAME="distribution" CONTENT="global">
|
|
|
|
<META NAME="Generator" CONTENT="LaTeX2HTML v2002-2-1">
|
|
<META HTTP-EQUIV="Content-Style-Type" CONTENT="text/css">
|
|
|
|
<LINK REL="STYLESHEET" HREF="book.css">
|
|
|
|
<LINK REL="next" HREF="node203.html">
|
|
<LINK REL="previous" HREF="node201.html">
|
|
<LINK REL="up" HREF="book.html">
|
|
<LINK REL="next" HREF="node203.html">
|
|
</HEAD>
|
|
|
|
<BODY >
|
|
<!--Navigation Panel-->
|
|
<A ID="tex2html3577"
|
|
HREF="node203.html">
|
|
<IMG WIDTH="37" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="next"
|
|
SRC="next.png"></A>
|
|
<A ID="tex2html3571"
|
|
HREF="book.html">
|
|
<IMG WIDTH="26" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="up"
|
|
SRC="up.png"></A>
|
|
<A ID="tex2html3565"
|
|
HREF="node201.html">
|
|
<IMG WIDTH="63" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="previous"
|
|
SRC="prev.png"></A>
|
|
<A ID="tex2html3573"
|
|
HREF="node4.html">
|
|
<IMG WIDTH="65" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="contents"
|
|
SRC="contents.png"></A>
|
|
<A ID="tex2html3575"
|
|
HREF="node201.html">
|
|
<IMG WIDTH="43" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="index"
|
|
SRC="index.png"></A>
|
|
<BR>
|
|
<B> Next:</B> <A ID="tex2html3578"
|
|
HREF="node203.html">About this document ...</A>
|
|
<B> Up:</B> <A ID="tex2html3572"
|
|
HREF="book.html">book</A>
|
|
<B> Previous:</B> <A ID="tex2html3566"
|
|
HREF="node201.html">Index</A>
|
|
<B> <A ID="tex2html3574"
|
|
HREF="node4.html">Contents</A></B>
|
|
<B> <A ID="tex2html3576"
|
|
HREF="node201.html">Index</A></B>
|
|
<BR><BR>
|
|
<!--End of Navigation Panel-->
|
|
|
|
<H2><A ID="SECTION001600000000000000000">
|
|
Bibliography</A>
|
|
</H2><DL COMPACT><DD><P></P><DT><A ID="r-ballora03">Bal03</A>
|
|
<DD>
|
|
Mark Ballora.
|
|
<BR><EM>Essentials of Music Technology</EM>.
|
|
<BR>Prentice Hall, Upper Saddle River, New Jersey, 2003.
|
|
|
|
<P></P><DT><A ID="r-blesser01">Ble01</A>
|
|
<DD>
|
|
Barry Blesser.
|
|
<BR>An interdisciplinary synthesis of reverberation viewpoints.
|
|
<BR><EM>Journal of the Audio Engineering Society</EM>, 49(10):867-903,
|
|
2001.
|
|
|
|
<P></P><DT><A ID="r-boulanger00">Bou00</A>
|
|
<DD>
|
|
Richard Boulanger, editor.
|
|
<BR><EM>The Csound book</EM>.
|
|
<BR>MIT Press, Cambridge, Massachusetts, 2000.
|
|
|
|
<P></P><DT><A ID="r-chamberlin80">Cha80</A>
|
|
<DD>
|
|
Hal Chamberlin.
|
|
<BR><EM>Musical applications of microprocessors</EM>.
|
|
<BR>Hayden, Rochelle Park, N.J., 1980.
|
|
|
|
<P></P><DT><A ID="r-chowning73">Cho73</A>
|
|
<DD>
|
|
John Chowning.
|
|
<BR>The synthesis of complex audio spectra by means of frequency
|
|
modulation.
|
|
<BR><EM>Journal of the Audio Engineering Society</EM>, 21(7):526-534, 1973.
|
|
|
|
<P></P><DT><A ID="r-chowning89">Cho89</A>
|
|
<DD>
|
|
John Chowning.
|
|
<BR>Frequency modulation synthesis of the singing voice.
|
|
<BR>In Max V. Mathews and John R. Pierce, editors, <EM>Current
|
|
Directions in Computer Music Research</EM>, pages 57-64. MIT Press, Cambridge,
|
|
1989.
|
|
|
|
<P></P><DT><A ID="r-dodge85">DJ85</A>
|
|
<DD>
|
|
Charles Dodge and Thomas A. Jerse.
|
|
<BR><EM>Computer music : synthesis, composition, and performance</EM>.
|
|
<BR>Schirmer, New York, 1985.
|
|
|
|
<P></P><DT><A ID="r-dolson97">DL97</A>
|
|
<DD>
|
|
Mark Dolson and Jean Laroche.
|
|
<BR>About this phasiness business.
|
|
<BR>In <EM>Proceedings of the International Computer Music Conference</EM>,
|
|
pages 55-58, Ann Arbor, 1997. International Computer Music Association.
|
|
|
|
<P></P><DT><A ID="r-grey77">GM77</A>
|
|
<DD>
|
|
John M. Grey and James A. Moorer.
|
|
<BR>Perceptual evaluations of synthesized musical instrument tones.
|
|
<BR><EM>Journal of the Acoustical Society of America</EM>, 62:454-462,
|
|
1977.
|
|
|
|
<P></P><DT><A ID="r-hartmann87">Har87</A>
|
|
<DD>
|
|
William M. Hartmann.
|
|
<BR>Digital waveform generation by fractional addressing.
|
|
<BR><EM>Journal of the Acoustical Society of America</EM>, 82:1883-1891,
|
|
1987.
|
|
|
|
<P></P><DT><A ID="r-karplus83">KS83</A>
|
|
<DD>
|
|
Kevin Karplus and Alex Strong.
|
|
<BR>Digital synthesis of plucked-string and drum timbres.
|
|
<BR><EM>Computer Music Journal</EM>, 7(2):43-55, 1983.
|
|
|
|
<P></P><DT><A ID="r-lebrun77">Leb77</A>
|
|
<DD>
|
|
Marc Lebrun.
|
|
<BR>A derivation of the spectrum of FM with a complex modulating wave.
|
|
<BR><EM>Computer Music Journal</EM>, 1(4):51-52, 1977.
|
|
|
|
<P></P><DT><A ID="r-lebrun79">Leb79</A>
|
|
<DD>
|
|
Marc Lebrun.
|
|
<BR>Digital waveshaping synthesis.
|
|
<BR><EM>Journal of the Audio Engineering Society</EM>, 27(4):250-266, 1979.
|
|
|
|
<P></P><DT><A ID="r-mathews69">Mat69</A>
|
|
<DD>
|
|
Max V. Mathews.
|
|
<BR><EM>The Technology of Computer Music</EM>.
|
|
<BR>MIT Press, Cambridge, Massachusetts, 1969.
|
|
|
|
<P></P><DT><A ID="r-moore90">Moo90</A>
|
|
<DD>
|
|
F. Richard Moore.
|
|
<BR><EM>Elements of Computer Music</EM>.
|
|
<BR>Prentice Hall, Englewood Cliffs, second edition, 1990.
|
|
|
|
<P></P><DT><A ID="r-parks87">PB87</A>
|
|
<DD>
|
|
T. W. Parks and C.S. Burrus.
|
|
<BR><EM>Digital filter design</EM>.
|
|
<BR>Wiley, New York, 1987.
|
|
|
|
<P></P><DT><A ID="r-puckette95a">Puc95a</A>
|
|
<DD>
|
|
Miller S. Puckette.
|
|
<BR>Formant-based audio synthesis using nonlinear distortion.
|
|
<BR><EM>Journal of the Audio Engineering Society</EM>, 43(1):224-227, 1995.
|
|
|
|
<P></P><DT><A ID="r-puckette95b">Puc95b</A>
|
|
<DD>
|
|
Miller S. Puckette.
|
|
<BR>Phase-locked vocoder.
|
|
<BR>In <EM>IEEE ASSP Workshop on Applications of Signal Processing to
|
|
Audio and Acoustics</EM>, 1995.
|
|
|
|
<P></P><DT><A ID="r-puckette01a">Puc01</A>
|
|
<DD>
|
|
Miller S. Puckette.
|
|
<BR>Synthesizing sounds with specified, time-varying spectra.
|
|
<BR>In <EM>Proceedings of the International Computer Music Conference</EM>,
|
|
pages 361-364, Ann Arbor, 2001. International Computer Music Association.
|
|
|
|
<P></P><DT><A ID="r-puckette05">Puc05</A>
|
|
<DD>
|
|
Miller S. Puckette.
|
|
<BR>Phase bashing for sample-based formant synthesis.
|
|
<BR>In <EM>Proceedings of the International Computer Music Conference</EM>,
|
|
pages 733-736, Ann Arbor, 2005. International Computer Music Association.
|
|
|
|
<P></P><DT><A ID="r-mitra93">Reg93</A>
|
|
<DD>
|
|
Phillip A. Regalia.
|
|
<BR>Special filter design.
|
|
<BR>In Sanjit K. Mitra and James F. Kaiser, editors, <EM>Handbook for
|
|
digital signal processing</EM>, pages 907-978. Wiley, New York, 1993.
|
|
|
|
<P></P><DT><A ID="r-risset69">RM69</A>
|
|
<DD>
|
|
Jean-Claude Risset and Max V. Mathews.
|
|
<BR>Analysis of musical instrument tones.
|
|
<BR><EM>Physics Today</EM>, 22:23-40, 1969.
|
|
|
|
<P></P><DT><A ID="r-rossing02">RMW02</A>
|
|
<DD>
|
|
Thomas D. Rossing, F. Richard Moore, and Paul A. Wheeler.
|
|
<BR><EM>The Science of Sound</EM>.
|
|
<BR>Addison Wesley, San Francisco, third edition, 2002.
|
|
|
|
<P></P><DT><A ID="r-roads01">Roa01</A>
|
|
<DD>
|
|
Curtis Roads.
|
|
<BR><EM>Microsound</EM>.
|
|
<BR>MIT Press, Cambridge, Massachusetts, 2001.
|
|
|
|
<P></P><DT><A ID="r-schottstaedt87">Sch77</A>
|
|
<DD>
|
|
Bill Schottstaedt.
|
|
<BR>Simulation of natural instrument tones using frequency modulation
|
|
with a complex modulating wave.
|
|
<BR><EM>Computer Music Journal</EM>, 1(4):46-50, 1977.
|
|
|
|
<P></P><DT><A ID="r-smith03">SI03</A>
|
|
<DD>
|
|
Julius Orion Smith III.
|
|
<BR><EM>Mathematics of the Discrete Fourier Transform (DFT), with Music
|
|
and Audio Applications</EM>.
|
|
<BR>W3K Publishing, Menlo Park, California, 2003.
|
|
|
|
<P></P><DT><A ID="r-steiglitz96">Ste96</A>
|
|
<DD>
|
|
Kenneth Steiglitz.
|
|
<BR><EM>A Digital Signal Processing Primer</EM>.
|
|
<BR>Addison-Wesley, Menlo Park, California, 1996.
|
|
|
|
<P></P><DT><A ID="r-strawn85">Str85</A>
|
|
<DD>
|
|
John Strawn, editor.
|
|
<BR><EM>Digital Audio Signal Processing</EM>.
|
|
<BR>William Kaufmann, Los Altos, California, 1985.
|
|
|
|
<P></P><DT><A ID="r-strange72">Str95</A>
|
|
<DD>
|
|
Allen Strange.
|
|
<BR><EM>Electronic music: systems, techniques, and controls</EM>.
|
|
<BR>W. C. Brown, Dubuque, Iowa, 1995.
|
|
</DL>
|
|
|
|
<P>
|
|
<BR><HR>
|
|
<ADDRESS>
|
|
Miller Puckette
|
|
2006-12-30
|
|
</ADDRESS>
|
|
</BODY>
|
|
</HTML>
|
|
|