add files from http://msp.ucsd.edu/techniques/latest/book-html.tgz
12
WARNINGS
Normal file
@ -0,0 +1,12 @@
|
||||
|
||||
? brace missing for \newedcommand
|
||||
|
||||
? brace missing for \textbf
|
||||
couldn't convert character Tdot into available encodings
|
||||
|
||||
...set $ACCENT_IMAGES to get an image
|
||||
|
||||
No number for "PulsewidthmodulationusingthevonHannwindowfunction:(a)thefunction$W(phi)=(1+cos(phi))/2$;(b)thefunctionasawaveform,repeatedatadutycycleof100%(modulationindex);(c)thewaveformata50%dutycycle()."
|
||||
couldn't convert character ~tilde into available encodings
|
||||
|
||||
No number for "FourieranalysisinPd:(a)the$mathrm{fft}sim$object;(b)usingasubwindowtocontrolblocksizeoftheFouriertransform;(c)thesubwindow,usingarealFouriertransform(the<TT>fft~</TT>object)andtheHannwindowingfunction."
|
30
book.css
Normal file
@ -0,0 +1,30 @@
|
||||
/* Century Schoolbook font is very similar to Computer Modern Math: cmmi */
|
||||
.MATH { font-family: "Century Schoolbook", serif; }
|
||||
.MATH I { font-family: "Century Schoolbook", serif; font-style: italic }
|
||||
.BOLDMATH { font-family: "Century Schoolbook", serif; font-weight: bold }
|
||||
|
||||
/* implement both fixed-size and relative sizes */
|
||||
SMALL.XTINY { font-size : xx-small }
|
||||
SMALL.TINY { font-size : x-small }
|
||||
SMALL.SCRIPTSIZE { font-size : smaller }
|
||||
SMALL.FOOTNOTESIZE { font-size : small }
|
||||
SMALL.SMALL { }
|
||||
BIG.LARGE { }
|
||||
BIG.XLARGE { font-size : large }
|
||||
BIG.XXLARGE { font-size : x-large }
|
||||
BIG.HUGE { font-size : larger }
|
||||
BIG.XHUGE { font-size : xx-large }
|
||||
|
||||
/* heading styles */
|
||||
H1 { }
|
||||
H2 { }
|
||||
H3 { }
|
||||
H4 { }
|
||||
H5 { }
|
||||
|
||||
/* mathematics styles */
|
||||
DIV.displaymath { } /* math displays */
|
||||
TD.eqno { } /* equation-number cells */
|
||||
|
||||
|
||||
/* document-specific styles come next */
|
560
book.html
Normal file
@ -0,0 +1,560 @@
|
||||
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2 Final//EN">
|
||||
|
||||
<!--Converted with LaTeX2HTML 2002-2-1 (1.71)
|
||||
original version by: Nikos Drakos, CBLU, University of Leeds
|
||||
* revised and updated by: Marcus Hennecke, Ross Moore, Herb Swan
|
||||
* with significant contributions from:
|
||||
Jens Lippmann, Marek Rouchal, Martin Wilck and others -->
|
||||
<HTML>
|
||||
<HEAD>
|
||||
<TITLE>book</TITLE>
|
||||
<META NAME="description" CONTENT="book">
|
||||
<META NAME="keywords" CONTENT="book">
|
||||
<META NAME="resource-type" CONTENT="document">
|
||||
<META NAME="distribution" CONTENT="global">
|
||||
|
||||
<META NAME="Generator" CONTENT="LaTeX2HTML v2002-2-1">
|
||||
<META HTTP-EQUIV="Content-Style-Type" CONTENT="text/css">
|
||||
|
||||
<LINK REL="STYLESHEET" HREF="book.css">
|
||||
|
||||
<LINK REL="next" HREF="node1.html">
|
||||
</HEAD>
|
||||
|
||||
<BODY >
|
||||
<!--Navigation Panel-->
|
||||
<A NAME="tex2html209"
|
||||
HREF="node1.html">
|
||||
<IMG WIDTH="37" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="next"
|
||||
SRC="file:/usr/local/share/lib/latex2html/icons/next.png"></A>
|
||||
<IMG WIDTH="26" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="up"
|
||||
SRC="file:/usr/local/share/lib/latex2html/icons/up_g.png">
|
||||
<IMG WIDTH="63" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="previous"
|
||||
SRC="file:/usr/local/share/lib/latex2html/icons/prev_g.png">
|
||||
<A NAME="tex2html205"
|
||||
HREF="node4.html">
|
||||
<IMG WIDTH="65" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="contents"
|
||||
SRC="file:/usr/local/share/lib/latex2html/icons/contents.png"></A>
|
||||
<A NAME="tex2html207"
|
||||
HREF="node201.html">
|
||||
<IMG WIDTH="43" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="index"
|
||||
SRC="file:/usr/local/share/lib/latex2html/icons/index.png"></A>
|
||||
<BR>
|
||||
<B> Next:</B> <A NAME="tex2html210"
|
||||
HREF="node1.html">#1</A>
|
||||
<B> <A NAME="tex2html206"
|
||||
HREF="node4.html">Contents</A></B>
|
||||
<B> <A NAME="tex2html208"
|
||||
HREF="node201.html">Index</A></B>
|
||||
<BR>
|
||||
<BR>
|
||||
<!--End of Navigation Panel-->
|
||||
|
||||
1]
|
||||
<BR><HR>
|
||||
<!--Table of Child-Links-->
|
||||
<A NAME="CHILD_LINKS"></A>
|
||||
|
||||
<UL>
|
||||
<LI><UL>
|
||||
<LI><A NAME="tex2html211"
|
||||
HREF="node1.html">#1</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html212"
|
||||
HREF="node2.html">#1</A>
|
||||
</UL>
|
||||
</UL>
|
||||
<BR>
|
||||
<LI><A NAME="tex2html213"
|
||||
HREF="node3.html">#1</A>
|
||||
<LI><A NAME="tex2html214"
|
||||
HREF="node4.html">Contents</A>
|
||||
<LI><A NAME="tex2html215"
|
||||
HREF="node5.html">Foreword</A>
|
||||
<LI><A NAME="tex2html216"
|
||||
HREF="node6.html">Preface</A>
|
||||
<LI><A NAME="tex2html217"
|
||||
HREF="node7.html">Sinusoids, amplitude and frequency</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html218"
|
||||
HREF="node8.html">Measures of Amplitude</A>
|
||||
<LI><A NAME="tex2html219"
|
||||
HREF="node9.html">Units of Amplitude</A>
|
||||
<LI><A NAME="tex2html220"
|
||||
HREF="node10.html">Controlling Amplitude</A>
|
||||
<LI><A NAME="tex2html221"
|
||||
HREF="node11.html">Frequency</A>
|
||||
<LI><A NAME="tex2html222"
|
||||
HREF="node12.html">Synthesizing a sinusoid</A>
|
||||
<LI><A NAME="tex2html223"
|
||||
HREF="node13.html">Superposing Signals</A>
|
||||
<LI><A NAME="tex2html224"
|
||||
HREF="node14.html">Periodic Signals</A>
|
||||
<LI><A NAME="tex2html225"
|
||||
HREF="node15.html">About the Software Examples</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html226"
|
||||
HREF="node16.html">Quick Introduction to Pd</A>
|
||||
<LI><A NAME="tex2html227"
|
||||
HREF="node17.html">How to find and run the examples</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html228"
|
||||
HREF="node18.html">Examples</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html229"
|
||||
HREF="node19.html">Constant amplitude scaler</A>
|
||||
<LI><A NAME="tex2html230"
|
||||
HREF="node20.html">Amplitude control in decibels</A>
|
||||
<LI><A NAME="tex2html231"
|
||||
HREF="node21.html">Smoothed amplitude control with an envelope generator</A>
|
||||
<LI><A NAME="tex2html232"
|
||||
HREF="node22.html">Major triad</A>
|
||||
<LI><A NAME="tex2html233"
|
||||
HREF="node23.html">Conversion between frequency and pitch</A>
|
||||
<LI><A NAME="tex2html234"
|
||||
HREF="node24.html">More additive synthesis</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html235"
|
||||
HREF="node25.html">Exercises</A>
|
||||
</UL>
|
||||
<BR>
|
||||
<LI><A NAME="tex2html236"
|
||||
HREF="node26.html">Wavetables and samplers</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html237"
|
||||
HREF="node27.html">The Wavetable Oscillator</A>
|
||||
<LI><A NAME="tex2html238"
|
||||
HREF="node28.html">Sampling</A>
|
||||
<LI><A NAME="tex2html239"
|
||||
HREF="node29.html">Enveloping samplers</A>
|
||||
<LI><A NAME="tex2html240"
|
||||
HREF="node30.html">Timbre stretching</A>
|
||||
<LI><A NAME="tex2html241"
|
||||
HREF="node31.html">Interpolation</A>
|
||||
<LI><A NAME="tex2html242"
|
||||
HREF="node32.html">Examples</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html243"
|
||||
HREF="node33.html">Wavetable oscillator</A>
|
||||
<LI><A NAME="tex2html244"
|
||||
HREF="node34.html">Wavetable lookup in general</A>
|
||||
<LI><A NAME="tex2html245"
|
||||
HREF="node35.html">Using a wavetable as a sampler</A>
|
||||
<LI><A NAME="tex2html246"
|
||||
HREF="node36.html">Looping samplers</A>
|
||||
<LI><A NAME="tex2html247"
|
||||
HREF="node37.html">Overlapping sample looper</A>
|
||||
<LI><A NAME="tex2html248"
|
||||
HREF="node38.html">Automatic read point precession</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html249"
|
||||
HREF="node39.html">Exercises</A>
|
||||
</UL>
|
||||
<BR>
|
||||
<LI><A NAME="tex2html250"
|
||||
HREF="node40.html">Audio and control computations</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html251"
|
||||
HREF="node41.html">The sampling theorem</A>
|
||||
<LI><A NAME="tex2html252"
|
||||
HREF="node42.html">Control</A>
|
||||
<LI><A NAME="tex2html253"
|
||||
HREF="node43.html">Control streams</A>
|
||||
<LI><A NAME="tex2html254"
|
||||
HREF="node44.html">Converting from audio signals to numeric control streams</A>
|
||||
<LI><A NAME="tex2html255"
|
||||
HREF="node45.html">Control streams in block diagrams</A>
|
||||
<LI><A NAME="tex2html256"
|
||||
HREF="node46.html">Event detection</A>
|
||||
<LI><A NAME="tex2html257"
|
||||
HREF="node47.html">Audio signals as control</A>
|
||||
<LI><A NAME="tex2html258"
|
||||
HREF="node48.html">Operations on control streams</A>
|
||||
<LI><A NAME="tex2html259"
|
||||
HREF="node49.html">Control operations in Pd</A>
|
||||
<LI><A NAME="tex2html260"
|
||||
HREF="node50.html">Examples</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html261"
|
||||
HREF="node51.html">Sampling and foldover</A>
|
||||
<LI><A NAME="tex2html262"
|
||||
HREF="node52.html">Converting controls to signals</A>
|
||||
<LI><A NAME="tex2html263"
|
||||
HREF="node53.html">Non-looping wavetable player</A>
|
||||
<LI><A NAME="tex2html264"
|
||||
HREF="node54.html">Signals to controls</A>
|
||||
<LI><A NAME="tex2html265"
|
||||
HREF="node55.html">Analog-style sequencer</A>
|
||||
<LI><A NAME="tex2html266"
|
||||
HREF="node56.html">MIDI-style synthesizer</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html267"
|
||||
HREF="node57.html">Exercises</A>
|
||||
</UL>
|
||||
<BR>
|
||||
<LI><A NAME="tex2html268"
|
||||
HREF="node58.html">Automation and voice management</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html269"
|
||||
HREF="node59.html">Envelope Generators</A>
|
||||
<LI><A NAME="tex2html270"
|
||||
HREF="node60.html">Linear and Curved Amplitude Shapes</A>
|
||||
<LI><A NAME="tex2html271"
|
||||
HREF="node61.html">Continuous and discontinuous control changes</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html272"
|
||||
HREF="node62.html">Muting</A>
|
||||
<LI><A NAME="tex2html273"
|
||||
HREF="node63.html">Switch-and-ramp</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html274"
|
||||
HREF="node64.html">Polyphony</A>
|
||||
<LI><A NAME="tex2html275"
|
||||
HREF="node65.html">Voice allocation</A>
|
||||
<LI><A NAME="tex2html276"
|
||||
HREF="node66.html">Voice tags</A>
|
||||
<LI><A NAME="tex2html277"
|
||||
HREF="node67.html">Encapsulation in Pd</A>
|
||||
<LI><A NAME="tex2html278"
|
||||
HREF="node68.html">Examples</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html279"
|
||||
HREF="node69.html">ADSR envelope generator</A>
|
||||
<LI><A NAME="tex2html280"
|
||||
HREF="node70.html">Transfer functions for amplitude control</A>
|
||||
<LI><A NAME="tex2html281"
|
||||
HREF="node71.html">Additive synthesis: Risset's bell</A>
|
||||
<LI><A NAME="tex2html282"
|
||||
HREF="node72.html">Additive synthesis: spectral envelope control</A>
|
||||
<LI><A NAME="tex2html283"
|
||||
HREF="node73.html">Polyphonic synthesis: sampler</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html284"
|
||||
HREF="node74.html">Exercises</A>
|
||||
</UL>
|
||||
<BR>
|
||||
<LI><A NAME="tex2html285"
|
||||
HREF="node75.html">Modulation</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html286"
|
||||
HREF="node76.html">Taxonomy of spectra</A>
|
||||
<LI><A NAME="tex2html287"
|
||||
HREF="node77.html">Multiplying audio signals</A>
|
||||
<LI><A NAME="tex2html288"
|
||||
HREF="node78.html">Waveshaping</A>
|
||||
<LI><A NAME="tex2html289"
|
||||
HREF="node79.html">Frequency and phase modulation</A>
|
||||
<LI><A NAME="tex2html290"
|
||||
HREF="node80.html">Examples</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html291"
|
||||
HREF="node81.html">Ring modulation and spectra</A>
|
||||
<LI><A NAME="tex2html292"
|
||||
HREF="node82.html">Octave divider and formant adder</A>
|
||||
<LI><A NAME="tex2html293"
|
||||
HREF="node83.html">Waveshaping and difference tones</A>
|
||||
<LI><A NAME="tex2html294"
|
||||
HREF="node84.html">Waveshaping using Chebychev polynomials</A>
|
||||
<LI><A NAME="tex2html295"
|
||||
HREF="node85.html">Waveshaping using an exponential function</A>
|
||||
<LI><A NAME="tex2html296"
|
||||
HREF="node86.html">Sinusoidal waveshaping: evenness and oddness</A>
|
||||
<LI><A NAME="tex2html297"
|
||||
HREF="node87.html">Phase modulation and FM</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html298"
|
||||
HREF="node88.html">Exercises</A>
|
||||
</UL>
|
||||
<BR>
|
||||
<LI><A NAME="tex2html299"
|
||||
HREF="node89.html">Designer spectra</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html300"
|
||||
HREF="node90.html">Carrier/modulator model</A>
|
||||
<LI><A NAME="tex2html301"
|
||||
HREF="node91.html">Pulse trains</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html302"
|
||||
HREF="node92.html">Pulse trains via waveshaping</A>
|
||||
<LI><A NAME="tex2html303"
|
||||
HREF="node93.html">Pulse trains via wavetable stretching</A>
|
||||
<LI><A NAME="tex2html304"
|
||||
HREF="node94.html">Resulting spectra</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html305"
|
||||
HREF="node95.html">Movable ring modulation</A>
|
||||
<LI><A NAME="tex2html306"
|
||||
HREF="node96.html">Phase-aligned formant (PAF) generator</A>
|
||||
<LI><A NAME="tex2html307"
|
||||
HREF="node97.html">Examples</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html308"
|
||||
HREF="node98.html">Wavetable pulse train</A>
|
||||
<LI><A NAME="tex2html309"
|
||||
HREF="node99.html">Simple formant generator</A>
|
||||
<LI><A NAME="tex2html310"
|
||||
HREF="node100.html">Two-cosine carrier signal</A>
|
||||
<LI><A NAME="tex2html311"
|
||||
HREF="node101.html">The PAF generator</A>
|
||||
<LI><A NAME="tex2html312"
|
||||
HREF="node102.html">Stretched wavetables</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html313"
|
||||
HREF="node103.html">Exercises</A>
|
||||
</UL>
|
||||
<BR>
|
||||
<LI><A NAME="tex2html314"
|
||||
HREF="node104.html">Time shifts and delays</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html315"
|
||||
HREF="node105.html">Complex numbers</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html316"
|
||||
HREF="node106.html">Complex sinusoids</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html317"
|
||||
HREF="node107.html">Time shifts and phase changes</A>
|
||||
<LI><A NAME="tex2html318"
|
||||
HREF="node108.html">Delay networks</A>
|
||||
<LI><A NAME="tex2html319"
|
||||
HREF="node109.html">Recirculating delay networks</A>
|
||||
<LI><A NAME="tex2html320"
|
||||
HREF="node110.html">Power conservation and complex delay networks</A>
|
||||
<LI><A NAME="tex2html321"
|
||||
HREF="node111.html">Artificial reverberation</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html322"
|
||||
HREF="node112.html">Controlling reverberators</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html323"
|
||||
HREF="node113.html">Variable and fractional shifts</A>
|
||||
<LI><A NAME="tex2html324"
|
||||
HREF="node114.html">Fidelity of interpolating delay lines</A>
|
||||
<LI><A NAME="tex2html325"
|
||||
HREF="node115.html">Pitch shifting</A>
|
||||
<LI><A NAME="tex2html326"
|
||||
HREF="node116.html">Examples</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html327"
|
||||
HREF="node117.html">Fixed, noninterpolating delay line</A>
|
||||
<LI><A NAME="tex2html328"
|
||||
HREF="node118.html">Recirculating comb filter</A>
|
||||
<LI><A NAME="tex2html329"
|
||||
HREF="node119.html">Variable delay line</A>
|
||||
<LI><A NAME="tex2html330"
|
||||
HREF="node120.html">Order of execution and lower limits on delay times</A>
|
||||
<LI><A NAME="tex2html331"
|
||||
HREF="node121.html">Order of execution in non-recirculating delay lines</A>
|
||||
<LI><A NAME="tex2html332"
|
||||
HREF="node122.html">Non-recirculating comb filter as octave doubler</A>
|
||||
<LI><A NAME="tex2html333"
|
||||
HREF="node123.html">Time-varying complex comb filter: shakers</A>
|
||||
<LI><A NAME="tex2html334"
|
||||
HREF="node124.html">Reverberator</A>
|
||||
<LI><A NAME="tex2html335"
|
||||
HREF="node125.html">Pitch shifter</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html336"
|
||||
HREF="node126.html">Exercises</A>
|
||||
</UL>
|
||||
<BR>
|
||||
<LI><A NAME="tex2html337"
|
||||
HREF="node127.html">Filters</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html338"
|
||||
HREF="node128.html">Taxonomy of filters</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html339"
|
||||
HREF="node129.html">Low-pass and high-pass filters</A>
|
||||
<LI><A NAME="tex2html340"
|
||||
HREF="node130.html">Band-pass and stop-band filters</A>
|
||||
<LI><A NAME="tex2html341"
|
||||
HREF="node131.html">Equalizing filters</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html342"
|
||||
HREF="node132.html">Elementary filters</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html343"
|
||||
HREF="node133.html">Elementary non-recirculating filter</A>
|
||||
<LI><A NAME="tex2html344"
|
||||
HREF="node134.html">Non-recirculating filter, second form</A>
|
||||
<LI><A NAME="tex2html345"
|
||||
HREF="node135.html">Elementary recirculating filter</A>
|
||||
<LI><A NAME="tex2html346"
|
||||
HREF="node136.html">Compound filters</A>
|
||||
<LI><A NAME="tex2html347"
|
||||
HREF="node137.html">Real outputs from complex filters</A>
|
||||
<LI><A NAME="tex2html348"
|
||||
HREF="node138.html">Two recirculating filters for the price of one</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html349"
|
||||
HREF="node139.html">Designing filters</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html350"
|
||||
HREF="node140.html">One-pole low-pass filter</A>
|
||||
<LI><A NAME="tex2html351"
|
||||
HREF="node141.html">One-pole, one-zero high-pass filter</A>
|
||||
<LI><A NAME="tex2html352"
|
||||
HREF="node142.html">Shelving filter</A>
|
||||
<LI><A NAME="tex2html353"
|
||||
HREF="node143.html">Band-pass filter</A>
|
||||
<LI><A NAME="tex2html354"
|
||||
HREF="node144.html">Peaking and stop-band filter</A>
|
||||
<LI><A NAME="tex2html355"
|
||||
HREF="node145.html">Butterworth filters</A>
|
||||
<LI><A NAME="tex2html356"
|
||||
HREF="node146.html">Stretching the unit circle with rational functions</A>
|
||||
<LI><A NAME="tex2html357"
|
||||
HREF="node147.html">Butterworth band-pass filter</A>
|
||||
<LI><A NAME="tex2html358"
|
||||
HREF="node148.html">Time-varying coefficients</A>
|
||||
<LI><A NAME="tex2html359"
|
||||
HREF="node149.html">Impulse responses of recirculating filters</A>
|
||||
<LI><A NAME="tex2html360"
|
||||
HREF="node150.html">All-pass filters</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html361"
|
||||
HREF="node151.html">Applications</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html362"
|
||||
HREF="node152.html">Subtractive synthesis</A>
|
||||
<LI><A NAME="tex2html363"
|
||||
HREF="node153.html">Envelope following</A>
|
||||
<LI><A NAME="tex2html364"
|
||||
HREF="node154.html">Single Sideband Modulation</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html365"
|
||||
HREF="node155.html">Examples</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html366"
|
||||
HREF="node156.html">Prefabricated low-, high-, and band-pass filters</A>
|
||||
<LI><A NAME="tex2html367"
|
||||
HREF="node157.html">Prefabricated time-varying band-pass filter</A>
|
||||
<LI><A NAME="tex2html368"
|
||||
HREF="node158.html">Envelope followers</A>
|
||||
<LI><A NAME="tex2html369"
|
||||
HREF="node159.html">Single sideband modulation</A>
|
||||
<LI><A NAME="tex2html370"
|
||||
HREF="node160.html">Using elementary filters directly: shelving and peaking</A>
|
||||
<LI><A NAME="tex2html371"
|
||||
HREF="node161.html">Making and using all-pass filters</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html372"
|
||||
HREF="node162.html">Exercises</A>
|
||||
</UL>
|
||||
<BR>
|
||||
<LI><A NAME="tex2html373"
|
||||
HREF="node163.html">Fourier analysis and resynthesis</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html374"
|
||||
HREF="node164.html">Fourier analysis of periodic signals</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html375"
|
||||
HREF="node165.html">Periodicity of the Fourier transform</A>
|
||||
<LI><A NAME="tex2html376"
|
||||
HREF="node166.html">Fourier transform as additive synthesis</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html377"
|
||||
HREF="node167.html">Properties of Fourier transforms</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html378"
|
||||
HREF="node168.html">Fourier transform of DC</A>
|
||||
<LI><A NAME="tex2html379"
|
||||
HREF="node169.html">Shifts and phase changes</A>
|
||||
<LI><A NAME="tex2html380"
|
||||
HREF="node170.html">Fourier transform of a sinusoid</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html381"
|
||||
HREF="node171.html">Fourier analysis of non-periodic signals</A>
|
||||
<LI><A NAME="tex2html382"
|
||||
HREF="node172.html">Fourier analysis and reconstruction of audio signals</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html383"
|
||||
HREF="node173.html">Narrow-band companding</A>
|
||||
<LI><A NAME="tex2html384"
|
||||
HREF="node174.html">Timbre stamping (classical vocoder)</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html385"
|
||||
HREF="node175.html">Phase</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html386"
|
||||
HREF="node176.html">Phase relationships between channels</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html387"
|
||||
HREF="node177.html">Phase bashing</A>
|
||||
<LI><A NAME="tex2html388"
|
||||
HREF="node178.html">Examples</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html389"
|
||||
HREF="node179.html">Fourier analysis and resynthesis in Pd</A>
|
||||
<LI><A NAME="tex2html390"
|
||||
HREF="node180.html">Narrow-band companding: noise suppression</A>
|
||||
<LI><A NAME="tex2html391"
|
||||
HREF="node181.html">Timbre stamp (``vocoder")</A>
|
||||
<LI><A NAME="tex2html392"
|
||||
HREF="node182.html">Phase vocoder time bender</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html393"
|
||||
HREF="node183.html">Exercises</A>
|
||||
</UL>
|
||||
<BR>
|
||||
<LI><A NAME="tex2html394"
|
||||
HREF="node184.html">Classical waveforms</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html395"
|
||||
HREF="node185.html">Symmetries and Fourier series</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html396"
|
||||
HREF="node186.html">Sawtooth waves and symmetry</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html397"
|
||||
HREF="node187.html">Dissecting classical waveforms</A>
|
||||
<LI><A NAME="tex2html398"
|
||||
HREF="node188.html">Fourier series of the elementary waveforms</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html399"
|
||||
HREF="node189.html">Sawtooth wave</A>
|
||||
<LI><A NAME="tex2html400"
|
||||
HREF="node190.html">Parabolic wave</A>
|
||||
<LI><A NAME="tex2html401"
|
||||
HREF="node191.html">Square and symmetric triangle waves</A>
|
||||
<LI><A NAME="tex2html402"
|
||||
HREF="node192.html">General (non-symmetric) triangle wave</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html403"
|
||||
HREF="node193.html">Predicting and controlling foldover</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html404"
|
||||
HREF="node194.html">Over-sampling</A>
|
||||
<LI><A NAME="tex2html405"
|
||||
HREF="node195.html">Sneaky triangle waves</A>
|
||||
<LI><A NAME="tex2html406"
|
||||
HREF="node196.html">Transition splicing</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html407"
|
||||
HREF="node197.html">Examples</A>
|
||||
<UL>
|
||||
<LI><A NAME="tex2html408"
|
||||
HREF="node198.html">Combining sawtooth waves</A>
|
||||
<LI><A NAME="tex2html409"
|
||||
HREF="node199.html">Strategies for band-limiting sawtooth waves</A>
|
||||
</UL>
|
||||
<LI><A NAME="tex2html410"
|
||||
HREF="node200.html">Exercises</A>
|
||||
</UL>
|
||||
<BR>
|
||||
<LI><A NAME="tex2html411"
|
||||
HREF="node201.html">Index</A>
|
||||
<LI><A NAME="tex2html412"
|
||||
HREF="node202.html">Bibliography</A>
|
||||
<LI><A NAME="tex2html413"
|
||||
HREF="node203.html">About this document ...</A>
|
||||
</UL>
|
||||
<!--End of Table of Child-Links-->
|
||||
<BR><HR>
|
||||
<ADDRESS>
|
||||
Miller Puckette
|
||||
2006-12-30
|
||||
</ADDRESS>
|
||||
</BODY>
|
||||
</HTML>
|
1
images.aux
Normal file
@ -0,0 +1 @@
|
||||
\relax
|
161
images.bbl
Normal file
@ -0,0 +1,161 @@
|
||||
\begin{thebibliography}{RMW02}
|
||||
|
||||
\bibitem[Bal03]{r-ballora03}
|
||||
Mark Ballora.
|
||||
\newblock {\em Essentials of Music Technology}.
|
||||
\newblock Prentice Hall, Upper Saddle River, New Jersey, 2003.
|
||||
|
||||
\bibitem[Ble01]{r-blesser01}
|
||||
Barry Blesser.
|
||||
\newblock An interdisciplinary synthesis of reverberation viewpoints.
|
||||
\newblock {\em Journal of the Audio Engineering Society}, 49(10):867--903,
|
||||
2001.
|
||||
|
||||
\bibitem[Bou00]{r-boulanger00}
|
||||
Richard Boulanger, editor.
|
||||
\newblock {\em The Csound book}.
|
||||
\newblock MIT Press, Cambridge, Massachusetts, 2000.
|
||||
|
||||
\bibitem[Cha80]{r-chamberlin80}
|
||||
Hal Chamberlin.
|
||||
\newblock {\em Musical applications of microprocessors}.
|
||||
\newblock Hayden, Rochelle Park, N.J., 1980.
|
||||
|
||||
\bibitem[Cho73]{r-chowning73}
|
||||
John Chowning.
|
||||
\newblock The synthesis of complex audio spectra by means of frequency
|
||||
modulation.
|
||||
\newblock {\em Journal of the Audio Engineering Society}, 21(7):526--534, 1973.
|
||||
|
||||
\bibitem[Cho89]{r-chowning89}
|
||||
John Chowning.
|
||||
\newblock Frequency modulation synthesis of the singing voice.
|
||||
\newblock In Max~V. Mathews and John~R. Pierce, editors, {\em Current
|
||||
Directions in Computer Music Research}, pages 57--64. MIT Press, Cambridge,
|
||||
1989.
|
||||
|
||||
\bibitem[DJ85]{r-dodge85}
|
||||
Charles Dodge and Thomas~A. Jerse.
|
||||
\newblock {\em Computer music : synthesis, composition, and performance}.
|
||||
\newblock Schirmer, New York, 1985.
|
||||
|
||||
\bibitem[DL97]{r-dolson97}
|
||||
Mark Dolson and Jean Laroche.
|
||||
\newblock About this phasiness business.
|
||||
\newblock In {\em Proceedings of the International Computer Music Conference},
|
||||
pages 55--58, Ann Arbor, 1997. International Computer Music Association.
|
||||
|
||||
\bibitem[GM77]{r-grey77}
|
||||
John~M. Grey and James~A. Moorer.
|
||||
\newblock Perceptual evaluations of synthesized musical instrument tones.
|
||||
\newblock {\em Journal of the Acoustical Society of America}, 62:454--462,
|
||||
1977.
|
||||
|
||||
\bibitem[Har87]{r-hartmann87}
|
||||
William~M. Hartmann.
|
||||
\newblock Digital waveform generation by fractional addressing.
|
||||
\newblock {\em Journal of the Acoustical Society of America}, 82:1883--1891,
|
||||
1987.
|
||||
|
||||
\bibitem[KS83]{r-karplus83}
|
||||
Kevin Karplus and Alex Strong.
|
||||
\newblock Digital synthesis of plucked-string and drum timbres.
|
||||
\newblock {\em Computer Music Journal}, 7(2):43--55, 1983.
|
||||
|
||||
\bibitem[Leb77]{r-lebrun77}
|
||||
Marc Lebrun.
|
||||
\newblock A derivation of the spectrum of {FM} with a complex modulating wave.
|
||||
\newblock {\em Computer Music Journal}, 1(4):51--52, 1977.
|
||||
|
||||
\bibitem[Leb79]{r-lebrun79}
|
||||
Marc Lebrun.
|
||||
\newblock Digital waveshaping synthesis.
|
||||
\newblock {\em Journal of the Audio Engineering Society}, 27(4):250--266, 1979.
|
||||
|
||||
\bibitem[Mat69]{r-mathews69}
|
||||
Max~V. Mathews.
|
||||
\newblock {\em The Technology of Computer Music}.
|
||||
\newblock MIT Press, Cambridge, Massachusetts, 1969.
|
||||
|
||||
\bibitem[Moo90]{r-moore90}
|
||||
F.~Richard Moore.
|
||||
\newblock {\em Elements of Computer Music}.
|
||||
\newblock Prentice Hall, Englewood Cliffs, second edition, 1990.
|
||||
|
||||
\bibitem[PB87]{r-parks87}
|
||||
T.~W. Parks and C.S. Burrus.
|
||||
\newblock {\em Digital filter design}.
|
||||
\newblock Wiley, New York, 1987.
|
||||
|
||||
\bibitem[Puc95a]{r-puckette95a}
|
||||
Miller~S. Puckette.
|
||||
\newblock Formant-based audio synthesis using nonlinear distortion.
|
||||
\newblock {\em Journal of the Audio Engineering Society}, 43(1):224--227, 1995.
|
||||
|
||||
\bibitem[Puc95b]{r-puckette95b}
|
||||
Miller~S. Puckette.
|
||||
\newblock Phase-locked vocoder.
|
||||
\newblock In {\em IEEE ASSP Workshop on Applications of Signal Processing to
|
||||
Audio and Acoustics}, 1995.
|
||||
|
||||
\bibitem[Puc01]{r-puckette01a}
|
||||
Miller~S. Puckette.
|
||||
\newblock Synthesizing sounds with specified, time-varying spectra.
|
||||
\newblock In {\em Proceedings of the International Computer Music Conference},
|
||||
pages 361--364, Ann Arbor, 2001. International Computer Music Association.
|
||||
|
||||
\bibitem[Puc05]{r-puckette05}
|
||||
Miller~S. Puckette.
|
||||
\newblock Phase bashing for sample-based formant synthesis.
|
||||
\newblock In {\em Proceedings of the International Computer Music Conference},
|
||||
pages 733--736, Ann Arbor, 2005. International Computer Music Association.
|
||||
|
||||
\bibitem[Reg93]{r-mitra93}
|
||||
Phillip~A. Regalia.
|
||||
\newblock Special filter design.
|
||||
\newblock In Sanjit~K. Mitra and James~F. Kaiser, editors, {\em Handbook for
|
||||
digital signal processing}, pages 907--978. Wiley, New York, 1993.
|
||||
|
||||
\bibitem[RM69]{r-risset69}
|
||||
Jean-Claude Risset and Max~V. Mathews.
|
||||
\newblock Analysis of musical instrument tones.
|
||||
\newblock {\em Physics Today}, 22:23--40, 1969.
|
||||
|
||||
\bibitem[RMW02]{r-rossing02}
|
||||
Thomas~D. Rossing, F.~Richard Moore, and Paul~A. Wheeler.
|
||||
\newblock {\em The Science of Sound}.
|
||||
\newblock Addison Wesley, San Francisco, third edition, 2002.
|
||||
|
||||
\bibitem[Roa01]{r-roads01}
|
||||
Curtis Roads.
|
||||
\newblock {\em Microsound}.
|
||||
\newblock MIT Press, Cambridge, Massachusetts, 2001.
|
||||
|
||||
\bibitem[Sch77]{r-schottstaedt87}
|
||||
Bill Schottstaedt.
|
||||
\newblock Simulation of natural instrument tones using frequency modulation
|
||||
with a complex modulating wave.
|
||||
\newblock {\em Computer Music Journal}, 1(4):46--50, 1977.
|
||||
|
||||
\bibitem[SI03]{r-smith03}
|
||||
Julius~Orion Smith~III.
|
||||
\newblock {\em Mathematics of the Discrete Fourier Transform (DFT), with Music
|
||||
and Audio Applications}.
|
||||
\newblock W3K Publishing, Menlo Park, California, 2003.
|
||||
|
||||
\bibitem[Ste96]{r-steiglitz96}
|
||||
Kenneth Steiglitz.
|
||||
\newblock {\em A Digital Signal Processing Primer}.
|
||||
\newblock Addison-Wesley, Menlo Park, California, 1996.
|
||||
|
||||
\bibitem[Str85]{r-strawn85}
|
||||
John Strawn, editor.
|
||||
\newblock {\em Digital Audio Signal Processing}.
|
||||
\newblock William Kaufmann, Los Altos, California, 1985.
|
||||
|
||||
\bibitem[Str95]{r-strange72}
|
||||
Allen Strange.
|
||||
\newblock {\em Electronic music: systems, techniques, and controls}.
|
||||
\newblock W. C. Brown, Dubuque, Iowa, 1995.
|
||||
|
||||
\end{thebibliography}
|
0
images.idx
Normal file
8391
images.log
Normal file
11113
images.tex
Normal file
BIN
img100.png
Normal file
After Width: | Height: | Size: 328 B |
BIN
img1000.png
Normal file
After Width: | Height: | Size: 418 B |
BIN
img1001.png
Normal file
After Width: | Height: | Size: 572 B |
BIN
img1002.png
Normal file
After Width: | Height: | Size: 865 B |
BIN
img1003.png
Normal file
After Width: | Height: | Size: 567 B |
BIN
img1004.png
Normal file
After Width: | Height: | Size: 206 B |
BIN
img1005.png
Normal file
After Width: | Height: | Size: 896 B |
BIN
img1006.png
Normal file
After Width: | Height: | Size: 262 B |
BIN
img1007.png
Normal file
After Width: | Height: | Size: 269 B |
BIN
img1008.png
Normal file
After Width: | Height: | Size: 1.8 KiB |
BIN
img1009.png
Normal file
After Width: | Height: | Size: 919 B |
BIN
img101.png
Normal file
After Width: | Height: | Size: 353 B |
BIN
img1010.png
Normal file
After Width: | Height: | Size: 942 B |
BIN
img1011.png
Normal file
After Width: | Height: | Size: 443 B |
BIN
img1012.png
Normal file
After Width: | Height: | Size: 277 B |
BIN
img1013.png
Normal file
After Width: | Height: | Size: 1.6 KiB |
BIN
img1014.png
Normal file
After Width: | Height: | Size: 306 B |
BIN
img1015.png
Normal file
After Width: | Height: | Size: 326 B |
BIN
img1016.png
Normal file
After Width: | Height: | Size: 312 B |
BIN
img1017.png
Normal file
After Width: | Height: | Size: 281 B |
BIN
img1018.png
Normal file
After Width: | Height: | Size: 319 B |
BIN
img1019.png
Normal file
After Width: | Height: | Size: 380 B |
BIN
img102.png
Normal file
After Width: | Height: | Size: 225 B |
BIN
img1020.png
Normal file
After Width: | Height: | Size: 369 B |
BIN
img1021.png
Normal file
After Width: | Height: | Size: 7.4 KiB |
BIN
img1022.png
Normal file
After Width: | Height: | Size: 308 B |
BIN
img1023.png
Normal file
After Width: | Height: | Size: 305 B |
BIN
img1024.png
Normal file
After Width: | Height: | Size: 9.4 KiB |
BIN
img1025.png
Normal file
After Width: | Height: | Size: 18 KiB |
BIN
img1026.png
Normal file
After Width: | Height: | Size: 12 KiB |
BIN
img1027.png
Normal file
After Width: | Height: | Size: 12 KiB |
BIN
img1028.png
Normal file
After Width: | Height: | Size: 365 B |
BIN
img1029.png
Normal file
After Width: | Height: | Size: 444 B |
BIN
img103.png
Normal file
After Width: | Height: | Size: 525 B |
BIN
img1030.png
Normal file
After Width: | Height: | Size: 378 B |
BIN
img1031.png
Normal file
After Width: | Height: | Size: 353 B |
BIN
img1032.png
Normal file
After Width: | Height: | Size: 427 B |
BIN
img1033.png
Normal file
After Width: | Height: | Size: 388 B |
BIN
img1034.png
Normal file
After Width: | Height: | Size: 368 B |
BIN
img1035.png
Normal file
After Width: | Height: | Size: 451 B |
BIN
img1036.png
Normal file
After Width: | Height: | Size: 381 B |
BIN
img1037.png
Normal file
After Width: | Height: | Size: 355 B |
BIN
img1038.png
Normal file
After Width: | Height: | Size: 431 B |
BIN
img1039.png
Normal file
After Width: | Height: | Size: 382 B |
BIN
img104.png
Normal file
After Width: | Height: | Size: 3.1 KiB |
BIN
img1040.png
Normal file
After Width: | Height: | Size: 8.0 KiB |
BIN
img1041.png
Normal file
After Width: | Height: | Size: 283 B |
BIN
img1042.png
Normal file
After Width: | Height: | Size: 441 B |
BIN
img1043.png
Normal file
After Width: | Height: | Size: 361 B |
BIN
img1044.png
Normal file
After Width: | Height: | Size: 536 B |
BIN
img1045.png
Normal file
After Width: | Height: | Size: 443 B |
BIN
img1046.png
Normal file
After Width: | Height: | Size: 411 B |
BIN
img1047.png
Normal file
After Width: | Height: | Size: 424 B |
BIN
img1048.png
Normal file
After Width: | Height: | Size: 216 B |
BIN
img1049.png
Normal file
After Width: | Height: | Size: 635 B |
BIN
img105.png
Normal file
After Width: | Height: | Size: 313 B |
BIN
img1050.png
Normal file
After Width: | Height: | Size: 628 B |
BIN
img1051.png
Normal file
After Width: | Height: | Size: 255 B |
BIN
img1052.png
Normal file
After Width: | Height: | Size: 706 B |
BIN
img1053.png
Normal file
After Width: | Height: | Size: 1.1 KiB |
BIN
img1054.png
Normal file
After Width: | Height: | Size: 255 B |
BIN
img1055.png
Normal file
After Width: | Height: | Size: 252 B |
BIN
img1056.png
Normal file
After Width: | Height: | Size: 1.6 KiB |
BIN
img1057.png
Normal file
After Width: | Height: | Size: 1.3 KiB |
BIN
img1058.png
Normal file
After Width: | Height: | Size: 356 B |
BIN
img1059.png
Normal file
After Width: | Height: | Size: 198 B |
BIN
img106.png
Normal file
After Width: | Height: | Size: 215 B |
BIN
img1060.png
Normal file
After Width: | Height: | Size: 784 B |
BIN
img1061.png
Normal file
After Width: | Height: | Size: 928 B |
BIN
img1062.png
Normal file
After Width: | Height: | Size: 308 B |
BIN
img1063.png
Normal file
After Width: | Height: | Size: 450 B |
BIN
img1064.png
Normal file
After Width: | Height: | Size: 770 B |
BIN
img1065.png
Normal file
After Width: | Height: | Size: 1.2 KiB |
BIN
img1066.png
Normal file
After Width: | Height: | Size: 1.3 KiB |
BIN
img1067.png
Normal file
After Width: | Height: | Size: 322 B |
BIN
img1068.png
Normal file
After Width: | Height: | Size: 264 B |
BIN
img1069.png
Normal file
After Width: | Height: | Size: 463 B |
BIN
img107.png
Normal file
After Width: | Height: | Size: 328 B |
BIN
img1070.png
Normal file
After Width: | Height: | Size: 334 B |
BIN
img1071.png
Normal file
After Width: | Height: | Size: 939 B |
BIN
img1072.png
Normal file
After Width: | Height: | Size: 435 B |
BIN
img1073.png
Normal file
After Width: | Height: | Size: 305 B |
BIN
img1074.png
Normal file
After Width: | Height: | Size: 918 B |
BIN
img1075.png
Normal file
After Width: | Height: | Size: 1.1 KiB |
BIN
img1076.png
Normal file
After Width: | Height: | Size: 455 B |
BIN
img1077.png
Normal file
After Width: | Height: | Size: 353 B |
BIN
img1078.png
Normal file
After Width: | Height: | Size: 315 B |
BIN
img1079.png
Normal file
After Width: | Height: | Size: 1.3 KiB |
BIN
img108.png
Normal file
After Width: | Height: | Size: 406 B |