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book.html
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<!--Converted with LaTeX2HTML 2002-2-1 (1.71)
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original version by: Nikos Drakos, CBLU, University of Leeds
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* revised and updated by: Marcus Hennecke, Ross Moore, Herb Swan
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* with significant contributions from:
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Jens Lippmann, Marek Rouchal, Martin Wilck and others -->
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<HTML>
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<HEAD>
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<TITLE>book</TITLE>
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<META NAME="description" CONTENT="book">
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<META NAME="keywords" CONTENT="book">
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<BODY >
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<!--Navigation Panel-->
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SRC="file:/usr/local/share/lib/latex2html/icons/index.png"></A>
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<BR>
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<B> Next:</B> <A NAME="tex2html210"
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HREF="node1.html">#1</A>
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<B> <A NAME="tex2html206"
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HREF="node4.html">Contents</A></B>
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<B> <A NAME="tex2html208"
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HREF="node201.html">Index</A></B>
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<BR>
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<BR>
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<!--End of Navigation Panel-->
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1]
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<BR><HR>
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<!--Table of Child-Links-->
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<A NAME="CHILD_LINKS"></A>
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<UL>
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<LI><UL>
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<LI><A NAME="tex2html211"
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HREF="node1.html">#1</A>
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<UL>
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<LI><A NAME="tex2html212"
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||||||
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HREF="node2.html">#1</A>
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</UL>
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</UL>
|
||||||
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<BR>
|
||||||
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<LI><A NAME="tex2html213"
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||||||
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HREF="node3.html">#1</A>
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<LI><A NAME="tex2html214"
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||||||
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HREF="node4.html">Contents</A>
|
||||||
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<LI><A NAME="tex2html215"
|
||||||
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HREF="node5.html">Foreword</A>
|
||||||
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<LI><A NAME="tex2html216"
|
||||||
|
HREF="node6.html">Preface</A>
|
||||||
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<LI><A NAME="tex2html217"
|
||||||
|
HREF="node7.html">Sinusoids, amplitude and frequency</A>
|
||||||
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<UL>
|
||||||
|
<LI><A NAME="tex2html218"
|
||||||
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HREF="node8.html">Measures of Amplitude</A>
|
||||||
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<LI><A NAME="tex2html219"
|
||||||
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HREF="node9.html">Units of Amplitude</A>
|
||||||
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<LI><A NAME="tex2html220"
|
||||||
|
HREF="node10.html">Controlling Amplitude</A>
|
||||||
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<LI><A NAME="tex2html221"
|
||||||
|
HREF="node11.html">Frequency</A>
|
||||||
|
<LI><A NAME="tex2html222"
|
||||||
|
HREF="node12.html">Synthesizing a sinusoid</A>
|
||||||
|
<LI><A NAME="tex2html223"
|
||||||
|
HREF="node13.html">Superposing Signals</A>
|
||||||
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<LI><A NAME="tex2html224"
|
||||||
|
HREF="node14.html">Periodic Signals</A>
|
||||||
|
<LI><A NAME="tex2html225"
|
||||||
|
HREF="node15.html">About the Software Examples</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html226"
|
||||||
|
HREF="node16.html">Quick Introduction to Pd</A>
|
||||||
|
<LI><A NAME="tex2html227"
|
||||||
|
HREF="node17.html">How to find and run the examples</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html228"
|
||||||
|
HREF="node18.html">Examples</A>
|
||||||
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<UL>
|
||||||
|
<LI><A NAME="tex2html229"
|
||||||
|
HREF="node19.html">Constant amplitude scaler</A>
|
||||||
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<LI><A NAME="tex2html230"
|
||||||
|
HREF="node20.html">Amplitude control in decibels</A>
|
||||||
|
<LI><A NAME="tex2html231"
|
||||||
|
HREF="node21.html">Smoothed amplitude control with an envelope generator</A>
|
||||||
|
<LI><A NAME="tex2html232"
|
||||||
|
HREF="node22.html">Major triad</A>
|
||||||
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<LI><A NAME="tex2html233"
|
||||||
|
HREF="node23.html">Conversion between frequency and pitch</A>
|
||||||
|
<LI><A NAME="tex2html234"
|
||||||
|
HREF="node24.html">More additive synthesis</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html235"
|
||||||
|
HREF="node25.html">Exercises</A>
|
||||||
|
</UL>
|
||||||
|
<BR>
|
||||||
|
<LI><A NAME="tex2html236"
|
||||||
|
HREF="node26.html">Wavetables and samplers</A>
|
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|
<UL>
|
||||||
|
<LI><A NAME="tex2html237"
|
||||||
|
HREF="node27.html">The Wavetable Oscillator</A>
|
||||||
|
<LI><A NAME="tex2html238"
|
||||||
|
HREF="node28.html">Sampling</A>
|
||||||
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<LI><A NAME="tex2html239"
|
||||||
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HREF="node29.html">Enveloping samplers</A>
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<LI><A NAME="tex2html240"
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||||||
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HREF="node30.html">Timbre stretching</A>
|
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<LI><A NAME="tex2html241"
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HREF="node31.html">Interpolation</A>
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<LI><A NAME="tex2html242"
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HREF="node32.html">Examples</A>
|
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<UL>
|
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<LI><A NAME="tex2html243"
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||||||
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HREF="node33.html">Wavetable oscillator</A>
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<LI><A NAME="tex2html244"
|
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HREF="node34.html">Wavetable lookup in general</A>
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<LI><A NAME="tex2html245"
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HREF="node35.html">Using a wavetable as a sampler</A>
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<LI><A NAME="tex2html246"
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||||||
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HREF="node36.html">Looping samplers</A>
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HREF="node37.html">Overlapping sample looper</A>
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<LI><A NAME="tex2html248"
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HREF="node38.html">Automatic read point precession</A>
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<LI><A NAME="tex2html249"
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HREF="node39.html">Exercises</A>
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</UL>
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<BR>
|
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<LI><A NAME="tex2html250"
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HREF="node40.html">Audio and control computations</A>
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<UL>
|
||||||
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<LI><A NAME="tex2html251"
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||||||
|
HREF="node41.html">The sampling theorem</A>
|
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<LI><A NAME="tex2html252"
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HREF="node42.html">Control</A>
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<LI><A NAME="tex2html253"
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HREF="node43.html">Control streams</A>
|
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<LI><A NAME="tex2html254"
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||||||
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HREF="node44.html">Converting from audio signals to numeric control streams</A>
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<LI><A NAME="tex2html255"
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||||||
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HREF="node45.html">Control streams in block diagrams</A>
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<LI><A NAME="tex2html256"
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HREF="node46.html">Event detection</A>
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<LI><A NAME="tex2html257"
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HREF="node47.html">Audio signals as control</A>
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<LI><A NAME="tex2html258"
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HREF="node48.html">Operations on control streams</A>
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<LI><A NAME="tex2html259"
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HREF="node49.html">Control operations in Pd</A>
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<LI><A NAME="tex2html260"
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HREF="node50.html">Examples</A>
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<UL>
|
||||||
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<LI><A NAME="tex2html261"
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||||||
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HREF="node51.html">Sampling and foldover</A>
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<LI><A NAME="tex2html262"
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HREF="node52.html">Converting controls to signals</A>
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<LI><A NAME="tex2html263"
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HREF="node53.html">Non-looping wavetable player</A>
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<LI><A NAME="tex2html264"
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||||||
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HREF="node54.html">Signals to controls</A>
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<LI><A NAME="tex2html265"
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HREF="node55.html">Analog-style sequencer</A>
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<LI><A NAME="tex2html266"
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HREF="node56.html">MIDI-style synthesizer</A>
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</UL>
|
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<LI><A NAME="tex2html267"
|
||||||
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HREF="node57.html">Exercises</A>
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</UL>
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<BR>
|
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<LI><A NAME="tex2html268"
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HREF="node58.html">Automation and voice management</A>
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<UL>
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<LI><A NAME="tex2html269"
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||||||
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HREF="node59.html">Envelope Generators</A>
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<LI><A NAME="tex2html270"
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HREF="node60.html">Linear and Curved Amplitude Shapes</A>
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<LI><A NAME="tex2html271"
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HREF="node61.html">Continuous and discontinuous control changes</A>
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<UL>
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<LI><A NAME="tex2html272"
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||||||
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HREF="node62.html">Muting</A>
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<LI><A NAME="tex2html273"
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HREF="node63.html">Switch-and-ramp</A>
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</UL>
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<LI><A NAME="tex2html274"
|
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HREF="node64.html">Polyphony</A>
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<LI><A NAME="tex2html275"
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HREF="node65.html">Voice allocation</A>
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<LI><A NAME="tex2html276"
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HREF="node66.html">Voice tags</A>
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<LI><A NAME="tex2html277"
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HREF="node67.html">Encapsulation in Pd</A>
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<LI><A NAME="tex2html278"
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<UL>
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<LI><A NAME="tex2html279"
|
||||||
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HREF="node69.html">ADSR envelope generator</A>
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<LI><A NAME="tex2html280"
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HREF="node70.html">Transfer functions for amplitude control</A>
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<LI><A NAME="tex2html281"
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HREF="node71.html">Additive synthesis: Risset's bell</A>
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<LI><A NAME="tex2html282"
|
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HREF="node72.html">Additive synthesis: spectral envelope control</A>
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<LI><A NAME="tex2html283"
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HREF="node73.html">Polyphonic synthesis: sampler</A>
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HREF="node74.html">Exercises</A>
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</UL>
|
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<BR>
|
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|
<LI><A NAME="tex2html285"
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HREF="node75.html">Modulation</A>
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<LI><A NAME="tex2html286"
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HREF="node76.html">Taxonomy of spectra</A>
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HREF="node77.html">Multiplying audio signals</A>
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HREF="node78.html">Waveshaping</A>
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<LI><A NAME="tex2html289"
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HREF="node79.html">Frequency and phase modulation</A>
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<LI><A NAME="tex2html290"
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HREF="node80.html">Examples</A>
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<UL>
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<LI><A NAME="tex2html291"
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HREF="node81.html">Ring modulation and spectra</A>
|
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<LI><A NAME="tex2html292"
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HREF="node82.html">Octave divider and formant adder</A>
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<LI><A NAME="tex2html293"
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HREF="node83.html">Waveshaping and difference tones</A>
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<LI><A NAME="tex2html294"
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HREF="node84.html">Waveshaping using Chebychev polynomials</A>
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<LI><A NAME="tex2html295"
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HREF="node85.html">Waveshaping using an exponential function</A>
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<LI><A NAME="tex2html296"
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HREF="node86.html">Sinusoidal waveshaping: evenness and oddness</A>
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<LI><A NAME="tex2html297"
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HREF="node87.html">Phase modulation and FM</A>
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</UL>
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<LI><A NAME="tex2html298"
|
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HREF="node88.html">Exercises</A>
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</UL>
|
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<BR>
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<LI><A NAME="tex2html299"
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HREF="node89.html">Designer spectra</A>
|
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<UL>
|
||||||
|
<LI><A NAME="tex2html300"
|
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HREF="node90.html">Carrier/modulator model</A>
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<LI><A NAME="tex2html301"
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HREF="node91.html">Pulse trains</A>
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<UL>
|
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<LI><A NAME="tex2html302"
|
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HREF="node92.html">Pulse trains via waveshaping</A>
|
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<LI><A NAME="tex2html303"
|
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HREF="node93.html">Pulse trains via wavetable stretching</A>
|
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|
<LI><A NAME="tex2html304"
|
||||||
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HREF="node94.html">Resulting spectra</A>
|
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</UL>
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<LI><A NAME="tex2html305"
|
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HREF="node95.html">Movable ring modulation</A>
|
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<LI><A NAME="tex2html306"
|
||||||
|
HREF="node96.html">Phase-aligned formant (PAF) generator</A>
|
||||||
|
<LI><A NAME="tex2html307"
|
||||||
|
HREF="node97.html">Examples</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html308"
|
||||||
|
HREF="node98.html">Wavetable pulse train</A>
|
||||||
|
<LI><A NAME="tex2html309"
|
||||||
|
HREF="node99.html">Simple formant generator</A>
|
||||||
|
<LI><A NAME="tex2html310"
|
||||||
|
HREF="node100.html">Two-cosine carrier signal</A>
|
||||||
|
<LI><A NAME="tex2html311"
|
||||||
|
HREF="node101.html">The PAF generator</A>
|
||||||
|
<LI><A NAME="tex2html312"
|
||||||
|
HREF="node102.html">Stretched wavetables</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html313"
|
||||||
|
HREF="node103.html">Exercises</A>
|
||||||
|
</UL>
|
||||||
|
<BR>
|
||||||
|
<LI><A NAME="tex2html314"
|
||||||
|
HREF="node104.html">Time shifts and delays</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html315"
|
||||||
|
HREF="node105.html">Complex numbers</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html316"
|
||||||
|
HREF="node106.html">Complex sinusoids</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html317"
|
||||||
|
HREF="node107.html">Time shifts and phase changes</A>
|
||||||
|
<LI><A NAME="tex2html318"
|
||||||
|
HREF="node108.html">Delay networks</A>
|
||||||
|
<LI><A NAME="tex2html319"
|
||||||
|
HREF="node109.html">Recirculating delay networks</A>
|
||||||
|
<LI><A NAME="tex2html320"
|
||||||
|
HREF="node110.html">Power conservation and complex delay networks</A>
|
||||||
|
<LI><A NAME="tex2html321"
|
||||||
|
HREF="node111.html">Artificial reverberation</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html322"
|
||||||
|
HREF="node112.html">Controlling reverberators</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html323"
|
||||||
|
HREF="node113.html">Variable and fractional shifts</A>
|
||||||
|
<LI><A NAME="tex2html324"
|
||||||
|
HREF="node114.html">Fidelity of interpolating delay lines</A>
|
||||||
|
<LI><A NAME="tex2html325"
|
||||||
|
HREF="node115.html">Pitch shifting</A>
|
||||||
|
<LI><A NAME="tex2html326"
|
||||||
|
HREF="node116.html">Examples</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html327"
|
||||||
|
HREF="node117.html">Fixed, noninterpolating delay line</A>
|
||||||
|
<LI><A NAME="tex2html328"
|
||||||
|
HREF="node118.html">Recirculating comb filter</A>
|
||||||
|
<LI><A NAME="tex2html329"
|
||||||
|
HREF="node119.html">Variable delay line</A>
|
||||||
|
<LI><A NAME="tex2html330"
|
||||||
|
HREF="node120.html">Order of execution and lower limits on delay times</A>
|
||||||
|
<LI><A NAME="tex2html331"
|
||||||
|
HREF="node121.html">Order of execution in non-recirculating delay lines</A>
|
||||||
|
<LI><A NAME="tex2html332"
|
||||||
|
HREF="node122.html">Non-recirculating comb filter as octave doubler</A>
|
||||||
|
<LI><A NAME="tex2html333"
|
||||||
|
HREF="node123.html">Time-varying complex comb filter: shakers</A>
|
||||||
|
<LI><A NAME="tex2html334"
|
||||||
|
HREF="node124.html">Reverberator</A>
|
||||||
|
<LI><A NAME="tex2html335"
|
||||||
|
HREF="node125.html">Pitch shifter</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html336"
|
||||||
|
HREF="node126.html">Exercises</A>
|
||||||
|
</UL>
|
||||||
|
<BR>
|
||||||
|
<LI><A NAME="tex2html337"
|
||||||
|
HREF="node127.html">Filters</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html338"
|
||||||
|
HREF="node128.html">Taxonomy of filters</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html339"
|
||||||
|
HREF="node129.html">Low-pass and high-pass filters</A>
|
||||||
|
<LI><A NAME="tex2html340"
|
||||||
|
HREF="node130.html">Band-pass and stop-band filters</A>
|
||||||
|
<LI><A NAME="tex2html341"
|
||||||
|
HREF="node131.html">Equalizing filters</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html342"
|
||||||
|
HREF="node132.html">Elementary filters</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html343"
|
||||||
|
HREF="node133.html">Elementary non-recirculating filter</A>
|
||||||
|
<LI><A NAME="tex2html344"
|
||||||
|
HREF="node134.html">Non-recirculating filter, second form</A>
|
||||||
|
<LI><A NAME="tex2html345"
|
||||||
|
HREF="node135.html">Elementary recirculating filter</A>
|
||||||
|
<LI><A NAME="tex2html346"
|
||||||
|
HREF="node136.html">Compound filters</A>
|
||||||
|
<LI><A NAME="tex2html347"
|
||||||
|
HREF="node137.html">Real outputs from complex filters</A>
|
||||||
|
<LI><A NAME="tex2html348"
|
||||||
|
HREF="node138.html">Two recirculating filters for the price of one</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html349"
|
||||||
|
HREF="node139.html">Designing filters</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html350"
|
||||||
|
HREF="node140.html">One-pole low-pass filter</A>
|
||||||
|
<LI><A NAME="tex2html351"
|
||||||
|
HREF="node141.html">One-pole, one-zero high-pass filter</A>
|
||||||
|
<LI><A NAME="tex2html352"
|
||||||
|
HREF="node142.html">Shelving filter</A>
|
||||||
|
<LI><A NAME="tex2html353"
|
||||||
|
HREF="node143.html">Band-pass filter</A>
|
||||||
|
<LI><A NAME="tex2html354"
|
||||||
|
HREF="node144.html">Peaking and stop-band filter</A>
|
||||||
|
<LI><A NAME="tex2html355"
|
||||||
|
HREF="node145.html">Butterworth filters</A>
|
||||||
|
<LI><A NAME="tex2html356"
|
||||||
|
HREF="node146.html">Stretching the unit circle with rational functions</A>
|
||||||
|
<LI><A NAME="tex2html357"
|
||||||
|
HREF="node147.html">Butterworth band-pass filter</A>
|
||||||
|
<LI><A NAME="tex2html358"
|
||||||
|
HREF="node148.html">Time-varying coefficients</A>
|
||||||
|
<LI><A NAME="tex2html359"
|
||||||
|
HREF="node149.html">Impulse responses of recirculating filters</A>
|
||||||
|
<LI><A NAME="tex2html360"
|
||||||
|
HREF="node150.html">All-pass filters</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html361"
|
||||||
|
HREF="node151.html">Applications</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html362"
|
||||||
|
HREF="node152.html">Subtractive synthesis</A>
|
||||||
|
<LI><A NAME="tex2html363"
|
||||||
|
HREF="node153.html">Envelope following</A>
|
||||||
|
<LI><A NAME="tex2html364"
|
||||||
|
HREF="node154.html">Single Sideband Modulation</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html365"
|
||||||
|
HREF="node155.html">Examples</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html366"
|
||||||
|
HREF="node156.html">Prefabricated low-, high-, and band-pass filters</A>
|
||||||
|
<LI><A NAME="tex2html367"
|
||||||
|
HREF="node157.html">Prefabricated time-varying band-pass filter</A>
|
||||||
|
<LI><A NAME="tex2html368"
|
||||||
|
HREF="node158.html">Envelope followers</A>
|
||||||
|
<LI><A NAME="tex2html369"
|
||||||
|
HREF="node159.html">Single sideband modulation</A>
|
||||||
|
<LI><A NAME="tex2html370"
|
||||||
|
HREF="node160.html">Using elementary filters directly: shelving and peaking</A>
|
||||||
|
<LI><A NAME="tex2html371"
|
||||||
|
HREF="node161.html">Making and using all-pass filters</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html372"
|
||||||
|
HREF="node162.html">Exercises</A>
|
||||||
|
</UL>
|
||||||
|
<BR>
|
||||||
|
<LI><A NAME="tex2html373"
|
||||||
|
HREF="node163.html">Fourier analysis and resynthesis</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html374"
|
||||||
|
HREF="node164.html">Fourier analysis of periodic signals</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html375"
|
||||||
|
HREF="node165.html">Periodicity of the Fourier transform</A>
|
||||||
|
<LI><A NAME="tex2html376"
|
||||||
|
HREF="node166.html">Fourier transform as additive synthesis</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html377"
|
||||||
|
HREF="node167.html">Properties of Fourier transforms</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html378"
|
||||||
|
HREF="node168.html">Fourier transform of DC</A>
|
||||||
|
<LI><A NAME="tex2html379"
|
||||||
|
HREF="node169.html">Shifts and phase changes</A>
|
||||||
|
<LI><A NAME="tex2html380"
|
||||||
|
HREF="node170.html">Fourier transform of a sinusoid</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html381"
|
||||||
|
HREF="node171.html">Fourier analysis of non-periodic signals</A>
|
||||||
|
<LI><A NAME="tex2html382"
|
||||||
|
HREF="node172.html">Fourier analysis and reconstruction of audio signals</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html383"
|
||||||
|
HREF="node173.html">Narrow-band companding</A>
|
||||||
|
<LI><A NAME="tex2html384"
|
||||||
|
HREF="node174.html">Timbre stamping (classical vocoder)</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html385"
|
||||||
|
HREF="node175.html">Phase</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html386"
|
||||||
|
HREF="node176.html">Phase relationships between channels</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html387"
|
||||||
|
HREF="node177.html">Phase bashing</A>
|
||||||
|
<LI><A NAME="tex2html388"
|
||||||
|
HREF="node178.html">Examples</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html389"
|
||||||
|
HREF="node179.html">Fourier analysis and resynthesis in Pd</A>
|
||||||
|
<LI><A NAME="tex2html390"
|
||||||
|
HREF="node180.html">Narrow-band companding: noise suppression</A>
|
||||||
|
<LI><A NAME="tex2html391"
|
||||||
|
HREF="node181.html">Timbre stamp (``vocoder")</A>
|
||||||
|
<LI><A NAME="tex2html392"
|
||||||
|
HREF="node182.html">Phase vocoder time bender</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html393"
|
||||||
|
HREF="node183.html">Exercises</A>
|
||||||
|
</UL>
|
||||||
|
<BR>
|
||||||
|
<LI><A NAME="tex2html394"
|
||||||
|
HREF="node184.html">Classical waveforms</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html395"
|
||||||
|
HREF="node185.html">Symmetries and Fourier series</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html396"
|
||||||
|
HREF="node186.html">Sawtooth waves and symmetry</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html397"
|
||||||
|
HREF="node187.html">Dissecting classical waveforms</A>
|
||||||
|
<LI><A NAME="tex2html398"
|
||||||
|
HREF="node188.html">Fourier series of the elementary waveforms</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html399"
|
||||||
|
HREF="node189.html">Sawtooth wave</A>
|
||||||
|
<LI><A NAME="tex2html400"
|
||||||
|
HREF="node190.html">Parabolic wave</A>
|
||||||
|
<LI><A NAME="tex2html401"
|
||||||
|
HREF="node191.html">Square and symmetric triangle waves</A>
|
||||||
|
<LI><A NAME="tex2html402"
|
||||||
|
HREF="node192.html">General (non-symmetric) triangle wave</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html403"
|
||||||
|
HREF="node193.html">Predicting and controlling foldover</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html404"
|
||||||
|
HREF="node194.html">Over-sampling</A>
|
||||||
|
<LI><A NAME="tex2html405"
|
||||||
|
HREF="node195.html">Sneaky triangle waves</A>
|
||||||
|
<LI><A NAME="tex2html406"
|
||||||
|
HREF="node196.html">Transition splicing</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html407"
|
||||||
|
HREF="node197.html">Examples</A>
|
||||||
|
<UL>
|
||||||
|
<LI><A NAME="tex2html408"
|
||||||
|
HREF="node198.html">Combining sawtooth waves</A>
|
||||||
|
<LI><A NAME="tex2html409"
|
||||||
|
HREF="node199.html">Strategies for band-limiting sawtooth waves</A>
|
||||||
|
</UL>
|
||||||
|
<LI><A NAME="tex2html410"
|
||||||
|
HREF="node200.html">Exercises</A>
|
||||||
|
</UL>
|
||||||
|
<BR>
|
||||||
|
<LI><A NAME="tex2html411"
|
||||||
|
HREF="node201.html">Index</A>
|
||||||
|
<LI><A NAME="tex2html412"
|
||||||
|
HREF="node202.html">Bibliography</A>
|
||||||
|
<LI><A NAME="tex2html413"
|
||||||
|
HREF="node203.html">About this document ...</A>
|
||||||
|
</UL>
|
||||||
|
<!--End of Table of Child-Links-->
|
||||||
|
<BR><HR>
|
||||||
|
<ADDRESS>
|
||||||
|
Miller Puckette
|
||||||
|
2006-12-30
|
||||||
|
</ADDRESS>
|
||||||
|
</BODY>
|
||||||
|
</HTML>
|
||||||
1
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|
|||||||
|
\relax
|
||||||
161
images.bbl
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|
|||||||
|
\begin{thebibliography}{RMW02}
|
||||||
|
|
||||||
|
\bibitem[Bal03]{r-ballora03}
|
||||||
|
Mark Ballora.
|
||||||
|
\newblock {\em Essentials of Music Technology}.
|
||||||
|
\newblock Prentice Hall, Upper Saddle River, New Jersey, 2003.
|
||||||
|
|
||||||
|
\bibitem[Ble01]{r-blesser01}
|
||||||
|
Barry Blesser.
|
||||||
|
\newblock An interdisciplinary synthesis of reverberation viewpoints.
|
||||||
|
\newblock {\em Journal of the Audio Engineering Society}, 49(10):867--903,
|
||||||
|
2001.
|
||||||
|
|
||||||
|
\bibitem[Bou00]{r-boulanger00}
|
||||||
|
Richard Boulanger, editor.
|
||||||
|
\newblock {\em The Csound book}.
|
||||||
|
\newblock MIT Press, Cambridge, Massachusetts, 2000.
|
||||||
|
|
||||||
|
\bibitem[Cha80]{r-chamberlin80}
|
||||||
|
Hal Chamberlin.
|
||||||
|
\newblock {\em Musical applications of microprocessors}.
|
||||||
|
\newblock Hayden, Rochelle Park, N.J., 1980.
|
||||||
|
|
||||||
|
\bibitem[Cho73]{r-chowning73}
|
||||||
|
John Chowning.
|
||||||
|
\newblock The synthesis of complex audio spectra by means of frequency
|
||||||
|
modulation.
|
||||||
|
\newblock {\em Journal of the Audio Engineering Society}, 21(7):526--534, 1973.
|
||||||
|
|
||||||
|
\bibitem[Cho89]{r-chowning89}
|
||||||
|
John Chowning.
|
||||||
|
\newblock Frequency modulation synthesis of the singing voice.
|
||||||
|
\newblock In Max~V. Mathews and John~R. Pierce, editors, {\em Current
|
||||||
|
Directions in Computer Music Research}, pages 57--64. MIT Press, Cambridge,
|
||||||
|
1989.
|
||||||
|
|
||||||
|
\bibitem[DJ85]{r-dodge85}
|
||||||
|
Charles Dodge and Thomas~A. Jerse.
|
||||||
|
\newblock {\em Computer music : synthesis, composition, and performance}.
|
||||||
|
\newblock Schirmer, New York, 1985.
|
||||||
|
|
||||||
|
\bibitem[DL97]{r-dolson97}
|
||||||
|
Mark Dolson and Jean Laroche.
|
||||||
|
\newblock About this phasiness business.
|
||||||
|
\newblock In {\em Proceedings of the International Computer Music Conference},
|
||||||
|
pages 55--58, Ann Arbor, 1997. International Computer Music Association.
|
||||||
|
|
||||||
|
\bibitem[GM77]{r-grey77}
|
||||||
|
John~M. Grey and James~A. Moorer.
|
||||||
|
\newblock Perceptual evaluations of synthesized musical instrument tones.
|
||||||
|
\newblock {\em Journal of the Acoustical Society of America}, 62:454--462,
|
||||||
|
1977.
|
||||||
|
|
||||||
|
\bibitem[Har87]{r-hartmann87}
|
||||||
|
William~M. Hartmann.
|
||||||
|
\newblock Digital waveform generation by fractional addressing.
|
||||||
|
\newblock {\em Journal of the Acoustical Society of America}, 82:1883--1891,
|
||||||
|
1987.
|
||||||
|
|
||||||
|
\bibitem[KS83]{r-karplus83}
|
||||||
|
Kevin Karplus and Alex Strong.
|
||||||
|
\newblock Digital synthesis of plucked-string and drum timbres.
|
||||||
|
\newblock {\em Computer Music Journal}, 7(2):43--55, 1983.
|
||||||
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|
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||||||
|
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||||||
|
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||||||
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\newblock {\em Computer Music Journal}, 1(4):51--52, 1977.
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\bibitem[Leb79]{r-lebrun79}
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||||||
|
Marc Lebrun.
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||||||
|
\newblock Digital waveshaping synthesis.
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||||||
|
\newblock {\em Journal of the Audio Engineering Society}, 27(4):250--266, 1979.
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||||||
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||||||
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Max~V. Mathews.
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||||||
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\newblock {\em The Technology of Computer Music}.
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||||||
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\newblock MIT Press, Cambridge, Massachusetts, 1969.
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F.~Richard Moore.
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||||||
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\newblock {\em Elements of Computer Music}.
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||||||
|
\newblock Prentice Hall, Englewood Cliffs, second edition, 1990.
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||||||
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||||||
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\newblock Wiley, New York, 1987.
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||||||
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||||||
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||||||
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\newblock {\em Journal of the Audio Engineering Society}, 43(1):224--227, 1995.
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||||||
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||||||
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\newblock Phase-locked vocoder.
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||||||
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||||||
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||||||
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||||||
|
\newblock Synthesizing sounds with specified, time-varying spectra.
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||||||
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||||||
|
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||||||
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|
||||||
|
\newblock Phase bashing for sample-based formant synthesis.
|
||||||
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\newblock In {\em Proceedings of the International Computer Music Conference},
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||||||
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||||||
|
\newblock Special filter design.
|
||||||
|
\newblock In Sanjit~K. Mitra and James~F. Kaiser, editors, {\em Handbook for
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||||||
|
digital signal processing}, pages 907--978. Wiley, New York, 1993.
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||||||
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||||||
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||||||
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||||||
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\newblock William Kaufmann, Los Altos, California, 1985.
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||||||
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||||||
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|
\newblock W. C. Brown, Dubuque, Iowa, 1995.
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||||||
|
|
||||||
|
\end{thebibliography}
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||||||
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