replace '<A NAME=' with '<A ID='

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2022-04-12 23:32:40 -03:00
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202 changed files with 5110 additions and 5110 deletions

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@@ -30,43 +30,43 @@ original version by: Nikos Drakos, CBLU, University of Leeds
<BODY >
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<H1><A NAME="SECTION00710000000000000000"></A>
<A NAME="sect3.sampling"></A>
<H1><A ID="SECTION00710000000000000000"></A>
<A ID="sect3.sampling"></A>
<BR>
The sampling theorem
</H1>
@@ -122,7 +122,7 @@ integers.
<P>
It is customary at this point in discussions of computer music to invoke
the famous
<A NAME="3554"></A><I>Nyquist theorem</I>.
<A ID="3554"></A><I>Nyquist theorem</I>.
This states (roughly speaking) that if a function is a finite or even infinite
combination of sinusoids, none of whose angular frequencies exceeds <IMG
WIDTH="13" HEIGHT="13" ALIGN="BOTTOM" BORDER="0"
@@ -238,7 +238,7 @@ frequency--specifically, you will hear the unique frequency between 0 and <IMG
that the higher frequency lands on when reduced in the above way. This
phenomenon is called
<I>foldover</I>,
<A NAME="3558"></A>
<A ID="3558"></A>
because the half-line of frequencies from 0
to <IMG
WIDTH="19" HEIGHT="13" ALIGN="BOTTOM" BORDER="0"
@@ -252,7 +252,7 @@ from 0 to <IMG
SRC="img41.png"
ALT="$\pi $">. The word
<I>aliasing</I>
<A NAME="3560"></A>means the same thing. Figure <A HREF="#fig03.01">3.1</A> shows that sinusoids of angular
<A ID="3560"></A>means the same thing. Figure <A HREF="#fig03.01">3.1</A> shows that sinusoids of angular
frequencies <IMG
WIDTH="29" HEIGHT="32" ALIGN="MIDDLE" BORDER="0"
SRC="img5.png"
@@ -264,7 +264,7 @@ as digital audio signals.
<P>
<DIV ALIGN="CENTER"><A NAME="fig03.01"></A><A NAME="3564"></A>
<DIV ALIGN="CENTER"><A ID="fig03.01"></A><A ID="3564"></A>
<TABLE>
<CAPTION ALIGN="BOTTOM"><STRONG>Figure 3.1:</STRONG>
Two real sinusoids, with angular frequencies <IMG
@@ -371,36 +371,36 @@ A very non-technical treatment of sampling theory is given in
<P>
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&nbsp; <B> <A NAME="tex2html1158"
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HREF="node4.html">Contents</A></B>
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<ADDRESS>