replace '<A NAME=' with '<A ID='

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2022-04-12 23:32:40 -03:00
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commit 2f20b9ef0d
202 changed files with 5110 additions and 5110 deletions

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@@ -30,43 +30,43 @@ original version by: Nikos Drakos, CBLU, University of Leeds
<BODY >
<!--Navigation Panel-->
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<BR>
<B> Next:</B> <A NAME="tex2html989"
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HREF="node31.html">Interpolation</A>
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<B> Up:</B> <A ID="tex2html983"
HREF="node26.html">Wavetables and samplers</A>
<B> Previous:</B> <A NAME="tex2html977"
<B> Previous:</B> <A ID="tex2html977"
HREF="node29.html">Enveloping samplers</A>
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&nbsp; <B> <A ID="tex2html985"
HREF="node4.html">Contents</A></B>
&nbsp; <B> <A NAME="tex2html987"
&nbsp; <B> <A ID="tex2html987"
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<H1><A NAME="SECTION00640000000000000000"></A>
<A NAME="sect2.stretching"></A>
<H1><A ID="SECTION00640000000000000000"></A>
<A ID="sect2.stretching"></A>
<BR>
Timbre stretching
</H1>
@@ -76,7 +76,7 @@ The wavetable oscillator of Section <A HREF="node27.html#sect2.oscillator">2.1</
Section <A HREF="node28.html#sect2.sampling">2.2</A> to encompass grabbing waveforms from arbitrary
wavetables such as recorded sounds, may additionally be extended in
a complementary way, that we'll refer to as
<A NAME="2263"></A><I>timbre stretching</I>, for reasons we'll develop in this section. There are
<A ID="2263"></A><I>timbre stretching</I>, for reasons we'll develop in this section. There are
also many other possible ways to extend wavetable synthesis, using for
instance frequency modulation and waveshaping, but we'll leave them to later
chapters.
@@ -108,13 +108,13 @@ copy of the waveform is played over 20 samples, so that the wave form fits
exactly into the cycle with no gaps and no overlap. In part (b), although the
period is still 20, the waveform is compressed into the middle half of the
period (10 samples); or in other words, the
<A NAME="2267"></A><I>duty cycle</I>--the relative amount of time the waveform fills the
<A ID="2267"></A><I>duty cycle</I>--the relative amount of time the waveform fills the
cycle--equals 50 percent. The remaining 50 percent of the time, the output
is zero.
<P>
<DIV ALIGN="CENTER"><A NAME="fig02.09"></A><A NAME="2271"></A>
<DIV ALIGN="CENTER"><A ID="fig02.09"></A><A ID="2271"></A>
<TABLE>
<CAPTION ALIGN="BOTTOM"><STRONG>Figure 2.9:</STRONG>
A waveform is played at a period of 20 samples: (a) at 100 percent
@@ -445,7 +445,7 @@ curve is both compressed to the left (the frequencies all drop) and amplified
<P>
<DIV ALIGN="CENTER"><A NAME="fig02.10"></A><A NAME="2511"></A>
<DIV ALIGN="CENTER"><A ID="fig02.10"></A><A ID="2511"></A>
<TABLE>
<CAPTION ALIGN="BOTTOM"><STRONG>Figure 2.10:</STRONG>
The Fourier series magnitudes for the waveforms shown in Figure
@@ -505,36 +505,36 @@ reinterpret <IMG
<P>
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<BR>
<B> Next:</B> <A NAME="tex2html989"
<B> Next:</B> <A ID="tex2html989"
HREF="node31.html">Interpolation</A>
<B> Up:</B> <A NAME="tex2html983"
<B> Up:</B> <A ID="tex2html983"
HREF="node26.html">Wavetables and samplers</A>
<B> Previous:</B> <A NAME="tex2html977"
<B> Previous:</B> <A ID="tex2html977"
HREF="node29.html">Enveloping samplers</A>
&nbsp; <B> <A NAME="tex2html985"
&nbsp; <B> <A ID="tex2html985"
HREF="node4.html">Contents</A></B>
&nbsp; <B> <A NAME="tex2html987"
&nbsp; <B> <A ID="tex2html987"
HREF="node201.html">Index</A></B>
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<ADDRESS>