replace '<A NAME=' with '<A ID='

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2022-04-12 23:32:40 -03:00
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202 changed files with 5110 additions and 5110 deletions

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@@ -30,50 +30,50 @@ original version by: Nikos Drakos, CBLU, University of Leeds
<BODY >
<!--Navigation Panel-->
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<BR>
<B> Next:</B> <A NAME="tex2html961"
<B> Next:</B> <A ID="tex2html961"
HREF="node29.html">Enveloping samplers</A>
<B> Up:</B> <A NAME="tex2html955"
<B> Up:</B> <A ID="tex2html955"
HREF="node26.html">Wavetables and samplers</A>
<B> Previous:</B> <A NAME="tex2html949"
<B> Previous:</B> <A ID="tex2html949"
HREF="node27.html">The Wavetable Oscillator</A>
&nbsp; <B> <A NAME="tex2html957"
&nbsp; <B> <A ID="tex2html957"
HREF="node4.html">Contents</A></B>
&nbsp; <B> <A NAME="tex2html959"
&nbsp; <B> <A ID="tex2html959"
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<H1><A NAME="SECTION00620000000000000000"></A>
<A NAME="sect2.sampling"></A>
<H1><A ID="SECTION00620000000000000000"></A>
<A ID="sect2.sampling"></A>
<BR>
Sampling
</H1>
<P>
"Sampling"
<A NAME="2203"></A>
<A ID="2203"></A>
is nothing more than recording a live signal into a wavetable, and then later
playing it out again. (In commercial samplers the entire wavetable is
usually called a "sample" but to avoid confusion we'll only use the word
@@ -142,8 +142,8 @@ transposition in half-steps by <IMG
WIDTH="12" HEIGHT="14" ALIGN="BOTTOM" BORDER="0"
SRC="img194.png"
ALT="$h$">, then we get the
<A NAME="2206"></A>Transposition Formulas for Looping Wavetables:
<A NAME="sect2.transpositionformula"></A>
<A ID="2206"></A>Transposition Formulas for Looping Wavetables:
<A ID="sect2.transpositionformula"></A>
<BR><P></P>
<DIV ALIGN="CENTER">
<!-- MATH
@@ -245,8 +245,8 @@ transposition multiple <IMG
SRC="img194.png"
ALT="$h$"> are then
given by the
<A NAME="2217"></A>Momentary Transposition Formulas for Wavetables:
<A NAME="sect2.momentaryformula"></A>
<A ID="2217"></A>Momentary Transposition Formulas for Wavetables:
<A ID="sect2.momentaryformula"></A>
<BR><P></P>
<DIV ALIGN="CENTER">
<!-- MATH
@@ -369,7 +369,7 @@ Such frequency ranges are also transposed, and this is is heard as
a timbre change. In language that will be made more precise in Section
<A HREF="node76.html#sect5-spectra">5.1</A>,
we say that the
<A NAME="2221"></A><I>spectral envelope</I> is transposed along with the pitch or
<A ID="2221"></A><I>spectral envelope</I> is transposed along with the pitch or
pitches.
<P>
@@ -402,7 +402,7 @@ in length and location continuously as the wavetable is played.
<P>
The practice of playing many small segments of a wavetable in rapid succession
is often called
<A NAME="2225"></A><I>granular synthesis</I>.
<A ID="2225"></A><I>granular synthesis</I>.
For much more discussion of the possibilities, see [<A
HREF="node202.html#r-roads01">Roa01</A>].
@@ -501,7 +501,7 @@ location as the segment's midpoint, we first subtract <IMG
<P>
<DIV ALIGN="CENTER"><A NAME="fig02.05"></A><A NAME="2232"></A>
<DIV ALIGN="CENTER"><A ID="fig02.05"></A><A ID="2232"></A>
<TABLE>
<CAPTION ALIGN="BOTTOM"><STRONG>Figure 2.5:</STRONG>
A simple looping sampler, as yet with no amplitude control.
@@ -547,36 +547,36 @@ in <IMG
<P>
<HR>
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<BR>
<B> Next:</B> <A NAME="tex2html961"
<B> Next:</B> <A ID="tex2html961"
HREF="node29.html">Enveloping samplers</A>
<B> Up:</B> <A NAME="tex2html955"
<B> Up:</B> <A ID="tex2html955"
HREF="node26.html">Wavetables and samplers</A>
<B> Previous:</B> <A NAME="tex2html949"
<B> Previous:</B> <A ID="tex2html949"
HREF="node27.html">The Wavetable Oscillator</A>
&nbsp; <B> <A NAME="tex2html957"
&nbsp; <B> <A ID="tex2html957"
HREF="node4.html">Contents</A></B>
&nbsp; <B> <A NAME="tex2html959"
&nbsp; <B> <A ID="tex2html959"
HREF="node201.html">Index</A></B>
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<ADDRESS>