replace '<A NAME=' with '<A ID='
This commit is contained in:
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node193.html
52
node193.html
@@ -30,42 +30,42 @@ original version by: Nikos Drakos, CBLU, University of Leeds
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<BODY >
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<!--Navigation Panel-->
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<A NAME="tex2html3454"
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<A ID="tex2html3454"
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HREF="node194.html">
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<IMG WIDTH="37" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="next"
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SRC="next.png"></A>
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<A NAME="tex2html3448"
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<A ID="tex2html3448"
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HREF="node184.html">
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<IMG WIDTH="26" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="up"
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SRC="up.png"></A>
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<A NAME="tex2html3442"
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<A ID="tex2html3442"
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HREF="node192.html">
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<IMG WIDTH="63" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="previous"
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SRC="prev.png"></A>
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<A NAME="tex2html3450"
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<A ID="tex2html3450"
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HREF="node4.html">
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<IMG WIDTH="65" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="contents"
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SRC="contents.png"></A>
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<A NAME="tex2html3452"
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<A ID="tex2html3452"
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HREF="node201.html">
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<IMG WIDTH="43" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="index"
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SRC="index.png"></A>
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<BR>
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<B> Next:</B> <A NAME="tex2html3455"
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<B> Next:</B> <A ID="tex2html3455"
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HREF="node194.html">Over-sampling</A>
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<B> Up:</B> <A NAME="tex2html3449"
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<B> Up:</B> <A ID="tex2html3449"
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HREF="node184.html">Classical waveforms</A>
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<B> Previous:</B> <A NAME="tex2html3443"
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<B> Previous:</B> <A ID="tex2html3443"
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HREF="node192.html">General (non-symmetric) triangle wave</A>
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<B> <A NAME="tex2html3451"
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<B> <A ID="tex2html3451"
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HREF="node4.html">Contents</A></B>
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<B> <A NAME="tex2html3453"
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<B> <A ID="tex2html3453"
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HREF="node201.html">Index</A></B>
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<BR>
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<BR>
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<!--End of Navigation Panel-->
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<H1><A NAME="SECTION001440000000000000000">
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<H1><A ID="SECTION001440000000000000000">
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Predicting and controlling foldover</A>
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</H1>
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@@ -92,56 +92,56 @@ Foldover problems are much less pronounced for waveforms with only corners
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for instance, a symmetric triangle wave at 440 Hertz would get twice the dropoff, or -64
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decibels. In general, though, waveforms with discontinuities are a better
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starting point for
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<A NAME="14464"></A>subtractive synthesis (the most popular classical technique).
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<A ID="14464"></A>subtractive synthesis (the most popular classical technique).
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In case you were hoping, subtractive filtering can't remove foldover once it is
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present in an audio signal.
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<P>
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<BR><HR>
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<!--Table of Child-Links-->
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<A NAME="CHILD_LINKS"><STRONG>Subsections</STRONG></A>
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<A ID="CHILD_LINKS"><STRONG>Subsections</STRONG></A>
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<UL>
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<LI><A NAME="tex2html3456"
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<LI><A ID="tex2html3456"
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HREF="node194.html">Over-sampling</A>
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<LI><A NAME="tex2html3457"
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<LI><A ID="tex2html3457"
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HREF="node195.html">Sneaky triangle waves</A>
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<LI><A NAME="tex2html3458"
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<LI><A ID="tex2html3458"
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HREF="node196.html">Transition splicing</A>
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</UL>
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<!--End of Table of Child-Links-->
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<HR>
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<!--Navigation Panel-->
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<A NAME="tex2html3454"
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<A ID="tex2html3454"
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HREF="node194.html">
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<IMG WIDTH="37" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="next"
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SRC="next.png"></A>
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<A NAME="tex2html3448"
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<A ID="tex2html3448"
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HREF="node184.html">
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<IMG WIDTH="26" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="up"
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SRC="up.png"></A>
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<A NAME="tex2html3442"
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<A ID="tex2html3442"
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HREF="node192.html">
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<IMG WIDTH="63" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="previous"
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SRC="prev.png"></A>
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<A NAME="tex2html3450"
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<A ID="tex2html3450"
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HREF="node4.html">
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<IMG WIDTH="65" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="contents"
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SRC="contents.png"></A>
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<A NAME="tex2html3452"
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<A ID="tex2html3452"
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HREF="node201.html">
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<IMG WIDTH="43" HEIGHT="24" ALIGN="BOTTOM" BORDER="0" ALT="index"
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SRC="index.png"></A>
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<BR>
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<B> Next:</B> <A NAME="tex2html3455"
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<B> Next:</B> <A ID="tex2html3455"
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HREF="node194.html">Over-sampling</A>
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<B> Up:</B> <A NAME="tex2html3449"
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<B> Up:</B> <A ID="tex2html3449"
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HREF="node184.html">Classical waveforms</A>
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<B> Previous:</B> <A NAME="tex2html3443"
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<B> Previous:</B> <A ID="tex2html3443"
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HREF="node192.html">General (non-symmetric) triangle wave</A>
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<B> <A NAME="tex2html3451"
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<B> <A ID="tex2html3451"
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HREF="node4.html">Contents</A></B>
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<B> <A NAME="tex2html3453"
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<B> <A ID="tex2html3453"
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HREF="node201.html">Index</A></B>
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<!--End of Navigation Panel-->
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<ADDRESS>
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