replace '<A NAME=' with '<A ID='

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@@ -30,43 +30,43 @@ original version by: Nikos Drakos, CBLU, University of Leeds
<BODY >
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<H1><A NAME="SECTION001400000000000000000"></A>
<A NAME="chapter-waveforms"></A>
<H1><A ID="SECTION001400000000000000000"></A>
<A ID="chapter-waveforms"></A>
<BR>
Classical waveforms
</H1>
@@ -82,12 +82,12 @@ controllable endpoints. This approach is historically at least as important
as the others, and was dominant during the
analog synthesizer period, approximately 1965-1985.
For lack of a better name, we'll use the term
<A NAME="14228"></A><I>classical waveforms</I>
<A ID="14228"></A><I>classical waveforms</I>
to denote waveforms composed of line segments.
<P>
<DIV ALIGN="CENTER"><A NAME="fig10.01"></A><A NAME="14232"></A>
<DIV ALIGN="CENTER"><A ID="fig10.01"></A><A ID="14232"></A>
<TABLE>
<CAPTION ALIGN="BOTTOM"><STRONG>Figure 10.1:</STRONG>
Classical waveforms: (a) the sawtooth, (b) the triangle, and (c)
@@ -102,7 +102,7 @@ shown as functions of a continuous variable (not sampled).</CAPTION>
<P>
They include the
<A NAME="14235"></A><A NAME="14236"></A><A NAME="14237"></A><I>sawtooth</I>, <I>triangle</I>, and <I>rectangle</I> waves pictured in Figure
<A ID="14235"></A><A ID="14236"></A><A ID="14237"></A><I>sawtooth</I>, <I>triangle</I>, and <I>rectangle</I> waves pictured in Figure
<A HREF="#fig10.01">10.1</A>, among many other possibilities. The salient features of
classical waveforms are either discontinuous jumps (changes in value) or
corners (changes in slope). In the figure, the sawtooth and rectangle waves
@@ -150,87 +150,87 @@ foldover is produced, and careful handling will help us control it.
<P>
<BR><HR>
<!--Table of Child-Links-->
<A NAME="CHILD_LINKS"><STRONG>Subsections</STRONG></A>
<A ID="CHILD_LINKS"><STRONG>Subsections</STRONG></A>
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<LI><A NAME="tex2html3313"
<LI><A ID="tex2html3313"
HREF="node185.html">Symmetries and Fourier series</A>
<UL>
<LI><A NAME="tex2html3314"
<LI><A ID="tex2html3314"
HREF="node186.html">Sawtooth waves and symmetry</A>
</UL>
<BR>
<LI><A NAME="tex2html3315"
<LI><A ID="tex2html3315"
HREF="node187.html">Dissecting classical waveforms</A>
<LI><A NAME="tex2html3316"
<LI><A ID="tex2html3316"
HREF="node188.html">Fourier series of the elementary waveforms</A>
<UL>
<LI><A NAME="tex2html3317"
<LI><A ID="tex2html3317"
HREF="node189.html">Sawtooth wave</A>
<LI><A NAME="tex2html3318"
<LI><A ID="tex2html3318"
HREF="node190.html">Parabolic wave</A>
<LI><A NAME="tex2html3319"
<LI><A ID="tex2html3319"
HREF="node191.html">Square and symmetric triangle waves</A>
<LI><A NAME="tex2html3320"
<LI><A ID="tex2html3320"
HREF="node192.html">General (non-symmetric) triangle wave</A>
</UL>
<BR>
<LI><A NAME="tex2html3321"
<LI><A ID="tex2html3321"
HREF="node193.html">Predicting and controlling foldover</A>
<UL>
<LI><A NAME="tex2html3322"
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HREF="node194.html">Over-sampling</A>
<LI><A NAME="tex2html3323"
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HREF="node195.html">Sneaky triangle waves</A>
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HREF="node196.html">Transition splicing</A>
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<LI><A NAME="tex2html3325"
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HREF="node197.html">Examples</A>
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<LI><A NAME="tex2html3326"
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HREF="node198.html">Combining sawtooth waves</A>
<LI><A NAME="tex2html3327"
<LI><A ID="tex2html3327"
HREF="node199.html">Strategies for band-limiting sawtooth waves</A>
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HREF="node200.html">Exercises</A>
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