replace '<A NAME=' with '<A ID='

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@@ -30,42 +30,42 @@ original version by: Nikos Drakos, CBLU, University of Leeds
<BODY >
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<H1><A NAME="SECTION001160000000000000000">
<H1><A ID="SECTION001160000000000000000">
Artificial reverberation</A>
</H1>
@@ -101,13 +101,13 @@ is not designed correctly.
To make an artificial reverberator using a delay network, we must
fill two competing demands simultaneously. First, the delay lines must
be long enough to prevent
<A NAME="8091"></A><I>coloration</I> in the output as a result of comb filtering.
<A ID="8091"></A><I>coloration</I> in the output as a result of comb filtering.
(Even if we move beyond the simple comb filter
of Section <A HREF="node109.html#sect7.recirculatingcomb">7.4</A>, the frequency response will tend to
have peaks and
valleys whose spacing varies inversely with total delay time.) On the other
hand, we should not hear individual echoes; the
<A NAME="8094"></A><I>echo density</I> should ideally be at least one thousand per second.
<A ID="8094"></A><I>echo density</I> should ideally be at least one thousand per second.
<P>
In pursuit of these aims, we assemble some number of delay lines and
@@ -138,7 +138,7 @@ and 80 milliseconds. The figure shows three such stages.
<P>
<DIV ALIGN="CENTER"><A NAME="fig07.15"></A><A NAME="8099"></A>
<DIV ALIGN="CENTER"><A ID="fig07.15"></A><A ID="8099"></A>
<TABLE>
<CAPTION ALIGN="BOTTOM"><STRONG>Figure 7.15:</STRONG>
Reverberator design using power-preserving transformations and
@@ -273,45 +273,45 @@ and lengthy tuning by trial, error, and critical listening.
<P>
<BR><HR>
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<ADDRESS>