138 lines
4.5 KiB
HTML
138 lines
4.5 KiB
HTML
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2 Final//EN">
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<!--Converted with LaTeX2HTML 2002-2-1 (1.71)
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original version by: Nikos Drakos, CBLU, University of Leeds
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* revised and updated by: Marcus Hennecke, Ross Moore, Herb Swan
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* with significant contributions from:
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Jens Lippmann, Marek Rouchal, Martin Wilck and others -->
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<HTML>
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<HEAD>
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<TITLE>Automation and voice management</TITLE>
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<META NAME="description" CONTENT="Automation and voice management">
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</HEAD>
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<BODY >
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<!--Navigation Panel-->
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<A NAME="tex2html1401"
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<BR>
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<B> Next:</B> <A NAME="tex2html1402"
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HREF="node59.html">Envelope Generators</A>
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<B> Up:</B> <A NAME="tex2html1396"
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HREF="book.html">book</A>
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<B> Previous:</B> <A NAME="tex2html1390"
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HREF="node57.html">Exercises</A>
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<B> <A NAME="tex2html1398"
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HREF="node4.html">Contents</A></B>
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<B> <A NAME="tex2html1400"
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HREF="node201.html">Index</A></B>
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<BR>
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<BR>
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<!--End of Navigation Panel-->
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<H1><A NAME="SECTION00800000000000000000">
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Automation and voice management</A>
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</H1>
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<P>
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It is often desirable to control musical objects or events as aggregates rather
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than individually. Aggregates might take the form of a series of events spaced
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in time, in which the details of the events follow from the larger arc (for
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instance, notes in a melody). Or the individuals might sound simultaneously,
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as with voices in a chord, or partials in a complex tone. Often some or all
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properties of the individual elements are best inferred from those of the
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whole.
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<P>
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A rich collection of tools and ideas has arisen in the electronic music
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repertory for describing individual behaviors from aggregate ones. In this
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chapter we cover two general classes of such tools: envelope generators and
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voice banks. The envelope generator automates behavior over time, and the
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voice bank over aggregates of simultaneous processes (such as signal
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generators).
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<P>
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<BR><HR>
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<!--Table of Child-Links-->
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<A NAME="CHILD_LINKS"><STRONG>Subsections</STRONG></A>
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<UL>
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<LI><A NAME="tex2html1403"
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HREF="node59.html">Envelope Generators</A>
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<LI><A NAME="tex2html1404"
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HREF="node60.html">Linear and Curved Amplitude Shapes</A>
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<LI><A NAME="tex2html1405"
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HREF="node61.html">Continuous and discontinuous control changes</A>
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<UL>
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<LI><A NAME="tex2html1406"
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HREF="node62.html">Muting</A>
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<LI><A NAME="tex2html1407"
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HREF="node63.html">Switch-and-ramp</A>
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</UL>
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<BR>
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<LI><A NAME="tex2html1408"
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HREF="node64.html">Polyphony</A>
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<LI><A NAME="tex2html1409"
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HREF="node65.html">Voice allocation</A>
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<LI><A NAME="tex2html1410"
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HREF="node66.html">Voice tags</A>
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<LI><A NAME="tex2html1411"
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HREF="node67.html">Encapsulation in Pd</A>
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<LI><A NAME="tex2html1412"
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HREF="node68.html">Examples</A>
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<UL>
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<LI><A NAME="tex2html1413"
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HREF="node69.html">ADSR envelope generator</A>
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<LI><A NAME="tex2html1414"
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HREF="node70.html">Transfer functions for amplitude control</A>
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<LI><A NAME="tex2html1415"
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HREF="node71.html">Additive synthesis: Risset's bell</A>
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<LI><A NAME="tex2html1416"
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HREF="node72.html">Additive synthesis: spectral envelope control</A>
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<LI><A NAME="tex2html1417"
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HREF="node73.html">Polyphonic synthesis: sampler</A>
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</UL>
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<BR>
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<LI><A NAME="tex2html1418"
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HREF="node74.html">Exercises</A>
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</UL>
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<!--End of Table of Child-Links-->
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<BR><HR>
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<ADDRESS>
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Miller Puckette
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2006-12-30
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</ADDRESS>
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</BODY>
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</HTML>
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