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<H2><A NAME="SECTION001600000000000000000">
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Bibliography</A>
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</H2><DL COMPACT><DD><P></P><DT><A NAME="r-ballora03">Bal03</A>
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<DD>
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Mark Ballora.
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<BR><EM>Essentials of Music Technology</EM>.
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<BR>Prentice Hall, Upper Saddle River, New Jersey, 2003.
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<P></P><DT><A NAME="r-blesser01">Ble01</A>
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<DD>
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Barry Blesser.
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<BR>An interdisciplinary synthesis of reverberation viewpoints.
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<BR><EM>Journal of the Audio Engineering Society</EM>, 49(10):867-903,
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2001.
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<P></P><DT><A NAME="r-boulanger00">Bou00</A>
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<DD>
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Richard Boulanger, editor.
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<BR><EM>The Csound book</EM>.
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<BR>MIT Press, Cambridge, Massachusetts, 2000.
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<P></P><DT><A NAME="r-chamberlin80">Cha80</A>
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<DD>
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Hal Chamberlin.
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<BR><EM>Musical applications of microprocessors</EM>.
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<BR>Hayden, Rochelle Park, N.J., 1980.
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<P></P><DT><A NAME="r-chowning73">Cho73</A>
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<DD>
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John Chowning.
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<BR>The synthesis of complex audio spectra by means of frequency
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modulation.
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<BR><EM>Journal of the Audio Engineering Society</EM>, 21(7):526-534, 1973.
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<P></P><DT><A NAME="r-chowning89">Cho89</A>
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<DD>
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John Chowning.
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<BR>Frequency modulation synthesis of the singing voice.
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<BR>In Max V. Mathews and John R. Pierce, editors, <EM>Current
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Directions in Computer Music Research</EM>, pages 57-64. MIT Press, Cambridge,
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1989.
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<P></P><DT><A NAME="r-dodge85">DJ85</A>
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<DD>
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Charles Dodge and Thomas A. Jerse.
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<BR><EM>Computer music : synthesis, composition, and performance</EM>.
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<BR>Schirmer, New York, 1985.
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<P></P><DT><A NAME="r-dolson97">DL97</A>
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<DD>
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Mark Dolson and Jean Laroche.
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<BR>About this phasiness business.
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<BR>In <EM>Proceedings of the International Computer Music Conference</EM>,
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pages 55-58, Ann Arbor, 1997. International Computer Music Association.
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<P></P><DT><A NAME="r-grey77">GM77</A>
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<DD>
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John M. Grey and James A. Moorer.
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<BR>Perceptual evaluations of synthesized musical instrument tones.
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<BR><EM>Journal of the Acoustical Society of America</EM>, 62:454-462,
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1977.
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<P></P><DT><A NAME="r-hartmann87">Har87</A>
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<DD>
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William M. Hartmann.
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<BR>Digital waveform generation by fractional addressing.
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<BR><EM>Journal of the Acoustical Society of America</EM>, 82:1883-1891,
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1987.
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<P></P><DT><A NAME="r-karplus83">KS83</A>
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<DD>
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Kevin Karplus and Alex Strong.
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<BR>Digital synthesis of plucked-string and drum timbres.
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<BR><EM>Computer Music Journal</EM>, 7(2):43-55, 1983.
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<P></P><DT><A NAME="r-lebrun77">Leb77</A>
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<DD>
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Marc Lebrun.
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<BR>A derivation of the spectrum of FM with a complex modulating wave.
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<BR><EM>Computer Music Journal</EM>, 1(4):51-52, 1977.
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<P></P><DT><A NAME="r-lebrun79">Leb79</A>
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<DD>
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Marc Lebrun.
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<BR>Digital waveshaping synthesis.
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<BR><EM>Journal of the Audio Engineering Society</EM>, 27(4):250-266, 1979.
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<P></P><DT><A NAME="r-mathews69">Mat69</A>
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<DD>
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Max V. Mathews.
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<BR><EM>The Technology of Computer Music</EM>.
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<BR>MIT Press, Cambridge, Massachusetts, 1969.
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<P></P><DT><A NAME="r-moore90">Moo90</A>
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<DD>
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F. Richard Moore.
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<BR><EM>Elements of Computer Music</EM>.
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<BR>Prentice Hall, Englewood Cliffs, second edition, 1990.
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<P></P><DT><A NAME="r-parks87">PB87</A>
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<DD>
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T. W. Parks and C.S. Burrus.
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<BR><EM>Digital filter design</EM>.
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<BR>Wiley, New York, 1987.
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<P></P><DT><A NAME="r-puckette95a">Puc95a</A>
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<DD>
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Miller S. Puckette.
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<BR>Formant-based audio synthesis using nonlinear distortion.
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<BR><EM>Journal of the Audio Engineering Society</EM>, 43(1):224-227, 1995.
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<P></P><DT><A NAME="r-puckette95b">Puc95b</A>
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<DD>
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Miller S. Puckette.
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<BR>Phase-locked vocoder.
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<BR>In <EM>IEEE ASSP Workshop on Applications of Signal Processing to
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Audio and Acoustics</EM>, 1995.
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<P></P><DT><A NAME="r-puckette01a">Puc01</A>
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<DD>
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Miller S. Puckette.
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<BR>Synthesizing sounds with specified, time-varying spectra.
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<BR>In <EM>Proceedings of the International Computer Music Conference</EM>,
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pages 361-364, Ann Arbor, 2001. International Computer Music Association.
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<P></P><DT><A NAME="r-puckette05">Puc05</A>
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<DD>
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Miller S. Puckette.
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<BR>Phase bashing for sample-based formant synthesis.
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<BR>In <EM>Proceedings of the International Computer Music Conference</EM>,
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pages 733-736, Ann Arbor, 2005. International Computer Music Association.
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<P></P><DT><A NAME="r-mitra93">Reg93</A>
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<DD>
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Phillip A. Regalia.
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<BR>Special filter design.
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<BR>In Sanjit K. Mitra and James F. Kaiser, editors, <EM>Handbook for
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digital signal processing</EM>, pages 907-978. Wiley, New York, 1993.
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<P></P><DT><A NAME="r-risset69">RM69</A>
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<DD>
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Jean-Claude Risset and Max V. Mathews.
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<BR>Analysis of musical instrument tones.
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<BR><EM>Physics Today</EM>, 22:23-40, 1969.
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<P></P><DT><A NAME="r-rossing02">RMW02</A>
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<DD>
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Thomas D. Rossing, F. Richard Moore, and Paul A. Wheeler.
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<BR><EM>The Science of Sound</EM>.
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<BR>Addison Wesley, San Francisco, third edition, 2002.
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<P></P><DT><A NAME="r-roads01">Roa01</A>
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<DD>
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Curtis Roads.
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<BR><EM>Microsound</EM>.
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<BR>MIT Press, Cambridge, Massachusetts, 2001.
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<P></P><DT><A NAME="r-schottstaedt87">Sch77</A>
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<DD>
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Bill Schottstaedt.
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<BR>Simulation of natural instrument tones using frequency modulation
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with a complex modulating wave.
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<BR><EM>Computer Music Journal</EM>, 1(4):46-50, 1977.
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<P></P><DT><A NAME="r-smith03">SI03</A>
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<DD>
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Julius Orion Smith III.
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<BR><EM>Mathematics of the Discrete Fourier Transform (DFT), with Music
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and Audio Applications</EM>.
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<BR>W3K Publishing, Menlo Park, California, 2003.
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<P></P><DT><A NAME="r-steiglitz96">Ste96</A>
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<DD>
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Kenneth Steiglitz.
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<BR><EM>A Digital Signal Processing Primer</EM>.
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<BR>Addison-Wesley, Menlo Park, California, 1996.
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<P></P><DT><A NAME="r-strawn85">Str85</A>
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<DD>
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John Strawn, editor.
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<BR><EM>Digital Audio Signal Processing</EM>.
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<BR>William Kaufmann, Los Altos, California, 1985.
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<P></P><DT><A NAME="r-strange72">Str95</A>
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<DD>
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Allen Strange.
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<BR><EM>Electronic music: systems, techniques, and controls</EM>.
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<BR>W. C. Brown, Dubuque, Iowa, 1995.
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</DL>
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<P>
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<BR><HR>
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<ADDRESS>
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Miller Puckette
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2006-12-30
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