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\newblock Prentice Hall, Upper Saddle River, New Jersey, 2003.

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\bibitem[Bou00]{r-boulanger00}
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\newblock {\em The Csound book}.
\newblock MIT Press, Cambridge, Massachusetts, 2000.

\bibitem[Cha80]{r-chamberlin80}
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\newblock Hayden, Rochelle Park, N.J., 1980.

\bibitem[Cho73]{r-chowning73}
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\newblock The synthesis of complex audio spectra by means of frequency
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\newblock {\em Journal of the Audio Engineering Society}, 21(7):526--534, 1973.

\bibitem[Cho89]{r-chowning89}
John Chowning.
\newblock Frequency modulation synthesis of the singing voice.
\newblock In Max~V. Mathews and John~R. Pierce, editors, {\em Current
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\bibitem[DJ85]{r-dodge85}
Charles Dodge and Thomas~A. Jerse.
\newblock {\em Computer music : synthesis, composition, and performance}.
\newblock Schirmer, New York, 1985.

\bibitem[DL97]{r-dolson97}
Mark Dolson and Jean Laroche.
\newblock About this phasiness business.
\newblock In {\em Proceedings of the International Computer Music Conference},
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\bibitem[GM77]{r-grey77}
John~M. Grey and James~A. Moorer.
\newblock Perceptual evaluations of synthesized musical instrument tones.
\newblock {\em Journal of the Acoustical Society of America}, 62:454--462,
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William~M. Hartmann.
\newblock Digital waveform generation by fractional addressing.
\newblock {\em Journal of the Acoustical Society of America}, 82:1883--1891,
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\bibitem[KS83]{r-karplus83}
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\newblock Digital synthesis of plucked-string and drum timbres.
\newblock {\em Computer Music Journal}, 7(2):43--55, 1983.

\bibitem[Leb77]{r-lebrun77}
Marc Lebrun.
\newblock A derivation of the spectrum of {FM} with a complex modulating wave.
\newblock {\em Computer Music Journal}, 1(4):51--52, 1977.

\bibitem[Leb79]{r-lebrun79}
Marc Lebrun.
\newblock Digital waveshaping synthesis.
\newblock {\em Journal of the Audio Engineering Society}, 27(4):250--266, 1979.

\bibitem[Mat69]{r-mathews69}
Max~V. Mathews.
\newblock {\em The Technology of Computer Music}.
\newblock MIT Press, Cambridge, Massachusetts, 1969.

\bibitem[Moo90]{r-moore90}
F.~Richard Moore.
\newblock {\em Elements of Computer Music}.
\newblock Prentice Hall, Englewood Cliffs, second edition, 1990.

\bibitem[PB87]{r-parks87}
T.~W. Parks and C.S. Burrus.
\newblock {\em Digital filter design}.
\newblock Wiley, New York, 1987.

\bibitem[Puc95a]{r-puckette95a}
Miller~S. Puckette.
\newblock Formant-based audio synthesis using nonlinear distortion.
\newblock {\em Journal of the Audio Engineering Society}, 43(1):224--227, 1995.

\bibitem[Puc95b]{r-puckette95b}
Miller~S. Puckette.
\newblock Phase-locked vocoder.
\newblock In {\em IEEE ASSP Workshop on Applications of Signal Processing to
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\bibitem[Puc01]{r-puckette01a}
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\newblock Synthesizing sounds with specified, time-varying spectra.
\newblock In {\em Proceedings of the International Computer Music Conference},
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\bibitem[Puc05]{r-puckette05}
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\newblock Phase bashing for sample-based formant synthesis.
\newblock In {\em Proceedings of the International Computer Music Conference},
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\bibitem[Reg93]{r-mitra93}
Phillip~A. Regalia.
\newblock Special filter design.
\newblock In Sanjit~K. Mitra and James~F. Kaiser, editors, {\em Handbook for
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\bibitem[RM69]{r-risset69}
Jean-Claude Risset and Max~V. Mathews.
\newblock Analysis of musical instrument tones.
\newblock {\em Physics Today}, 22:23--40, 1969.

\bibitem[RMW02]{r-rossing02}
Thomas~D. Rossing, F.~Richard Moore, and Paul~A. Wheeler.
\newblock {\em The Science of Sound}.
\newblock Addison Wesley, San Francisco, third edition, 2002.

\bibitem[Roa01]{r-roads01}
Curtis Roads.
\newblock {\em Microsound}.
\newblock MIT Press, Cambridge, Massachusetts, 2001.

\bibitem[Sch77]{r-schottstaedt87}
Bill Schottstaedt.
\newblock Simulation of natural instrument tones using frequency modulation
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\newblock {\em Computer Music Journal}, 1(4):46--50, 1977.

\bibitem[SI03]{r-smith03}
Julius~Orion Smith~III.
\newblock {\em Mathematics of the Discrete Fourier Transform (DFT), with Music
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\newblock W3K Publishing, Menlo Park, California, 2003.

\bibitem[Ste96]{r-steiglitz96}
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\newblock {\em A Digital Signal Processing Primer}.
\newblock Addison-Wesley, Menlo Park, California, 1996.

\bibitem[Str85]{r-strawn85}
John Strawn, editor.
\newblock {\em Digital Audio Signal Processing}.
\newblock William Kaufmann, Los Altos, California, 1985.

\bibitem[Str95]{r-strange72}
Allen Strange.
\newblock {\em Electronic music: systems, techniques, and controls}.
\newblock W. C. Brown, Dubuque, Iowa, 1995.

\end{thebibliography}
